Category: Obi

Fukuro obi catalogue

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For dressier kimono or more formal events, sometimes you need a dressier obi. Something with a lot of bling, something you can tie a big ornate musubi with. Fukuro obi are generally blank on one side and patterned on the entire other side, or they may have a large blank area that gets wrapped around the waist to save on bulk and budget. They typically have bold, celebratory motifs and a lot of gold or silver embroidery or woven threads.

Gold pattern and kamon fukuro

This is a great obi to pair with kurotomesode, it’s a little mature and subdued, and the gold is warm and soft – not brassy or tacky looking.

Champagne and pastel fukuro

Another shiny obi, it’s soft and easy to tie and looks nice with furisode. It’s got rippling rivers and pockets of soft pastel flowers. Not typically to my tastes, but practical to have in any varied wardrobe.

Orange fukuro with gold grasses

I’m not going to lie – I bought this primarily because it reminded me of a creamsicle. It worked out well though – the peachy orange is a perfect match for the ume on my kurotomesode, and some of the tachibana on my indigo taisho houmongi. It screams Showa era, but it’s cute and fun and I still kind of love it.

Black, red, and gold celebratory fukuro

Another one that screams Showa Wonderful. These obis are incredibly typical of the late seventies through early nineties, and are still being produced, though not in quite as much volume. This one has red kiku and gold and silver cranes, and kikko (tortoishell). It’s a very loud, very auspicious obi.

Gunmetal paving stones fukuro

I’m not quite sure how to describe this one. It’s blue, it’s green, it’s purple. It’s irridescent and reminds me of oil on hot asphalt in the heat of summer. Because of the strange chameleon-like quality, it’s amazingly versatile and goes with a lot of things. It came bundled with a kimono, I bid on the kimono and go the obi as a bonus, and oddly enough I’ve worn the obi several times, and not yet worn the kimono once!

Red and black faux-shibori fukuro

I love this one so much. It originally belonged to my friend Amelie, and I coveted it. When she told me she was selling some items, I jumped on it. Why, then, have I not found anything to wear it with yet?! It’s separated into roughly thirds, with two thirds being bright tomato red with a dyed faux-shibori pattern, and the remaining third in black with a stylized chain of wisteria. I will wear it one day, I just need to find the right kimono to do it justice.

Traveling down the Tokaido Road

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This is an entry that’s been a long time in coming. It may get a bit verbose, and I apologize. If you’re not interested in personal ramblings and art-related discussion, feel free to skip it.

My interest in kimono stemmed from an interest in traditional Japanese aesthetic in general, which I believe I inherited from my grandmother. I have always been fond of traditional woodblock prints; landscapes in particular.

The Tokaido Road is a highway connecting the New Capital, Edo (tokyo), with the Old Capital, Kyoto. There are 53 famous way-stations along this road, plus the start and end points. Edo-era artist Hiroshige Ando became so enamored of the views of these stations that he produced several series of prints, known as the “Stations of the Tokaido“. There are four editions of these, each from slightly different vantage points and during different times of year. The most famous, however, is the Hoeido Edition, and is the one I will most often be referencing here.

About a year ago, I found an obi on Ichiroya of a snow-covered cabin in the mountains. As soon as I saw it, I felt an immense pull and a desperate desire to have it. As I’ve mentioned before, my best friend lives in Colorado, and I often go visit him (sometimes buying kimono while I’m there), and I initially chalked the nostalgia the obi made me feel to my love of the mountains there. Naomi‘s darling husband Arian took pity on me and my obsessive infatuation, and bought me the obi as a gift.

The more I thought about it though, the more visually and emotionally familiar it felt. It took me a while, and a great bit of help from Erica, it finally hit me. It was a creative interpretation of Station 15, Kambara, with the people removed.

This discovery, unfortunately, created a torrent I’ve since been unable to stop. I dove headfirst into more detailed research of the Stations of the Tokaido, mostly on the internet, but in my own bookshelves as well. I’d actually purchased books about Hiroshige years before, and one that’s always come in handy is Hiroshige In Tokyo, by Julian Bicknell. Armed with a new wealth of information and a new obsesson, I dove in. I made the unfortunate discovery that these prints are a fairly popular motif for kimono and related items – obi in particular. With that knowledge in hand, I have begun to amass a “collection within a collection,” if you will.

Since that first obi, I have acquired several more, and a decorative dance fan. My ambition is to eventually have items with all the stations on them, but that is a long-term goal for when I have much more expendable income!

I am not sure, but I believe this is an interpretation of Station 14, Yoshiwara. As always, if you have further information or can read the text on it, by all means let me know.

This one is also very special to me – I have mentioned before my love of hakata, so when I found an obi that was both hakata weave and several stations, I knew I had to have it. I saved up, and the day I was ready to purchase it, someone I know online bought it for herself. I’m not going to lie, I was devastated. Through her own kindness, and the helpfulness of Yuka at Ichiroya, the obi found its way to me. I love it to bits. It contains stations Kuwana, Mariko, and Hakone.

The last obi is another one of Hakone. I already had the hakata one at this point, but I loved the soft pastel colours on this one and it was a bargain, so I couldn’t pass it up.

The last item I currently own is not an obi, but rather a nice, solid dance fan. It has the starting point (or station 0 if you will), Nihonbashi Bridge.

I am, in fact, so obsessed with this that I am currently coveting a particular nail polish – NARS Tokaido Express. Those of you who know me well are aware that I also have a passion for doing my nails and ferreting away a huge collection of nail polishes (I have over 200 at this point). When I found this polish, I knew I had to have it! The fact that it’s a gorgeous rich espresso brown with purple and gold shimmer doesn’t help! Unfortunately, it’s an expensive designer brand and actually more expensive than several of my cheaper kimono! I will have it eventually though! Probably much sooner than the kimono-related goal.

If you would like to learn more about Hiroshige or purchase prints of his work, please check out the Utagawa Hiroshige page on Artsy.

New kimono and obi

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It’s difficult to get everything I own catalogued when I keep buying new things! Nothing terribly exciting to see here, just posting reference photos of some of the new komon and hakata obi I’ve acquired recently. I also got a new iromuji not long ago, but since I haven’t catalogued my other iromuji yet, I plan to just do them all together.

Taisho Pink Ume Komon


This is a gorgeous vintage piece. It’s covered in thick ume branches and sweet flowers, a few of which are outlined in gold and silver. I snagged this for an amazing price, due to a few unfortunate water spots on the front. They’re not terribly visible, and I’m going to look into removing them eventually.

Purple Lamé Komon


This is the kimono I wore here, so yes, if you’re a regular reader (thank you!) you’ve seen it before. It’s a bit of a weird thing, being heavy lined synthetic, but covered in high-summer motifs. If you can’t be warm, at least you can think warm!

Striped Mauve Komon


This is the kimono I wore here. It’s a nice, big, synthetic piece that has an old feel to it. Cute multi-season designs of kiku (chrysanthemum), sakura (cherry blossom), and yukiwa (snow crystal design).

Pink and White Hakata Obi


A sweet pale pink and white hakata fukuro obi that I got for a steal, due to a few spots of rust discolouration on the ends. I figure so long as it’s tied in something other than otaiko musubi, it won’t ever be visible. Haven’t worn it yet, but I’m looking forward to it!

Reversible Red and White Hakata



Two, two, two obi in one! One side is a gorgeous, dramatic white-on-red hakata, and the other is a great versatile bright red with gold, silver, and white diamonds and various designs. I’m shocked this didn’t sell for more, and thrilled that I won it.

Happy Accidents

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At this point I have enough kimono and obi that when I buy new items, I try to justify them by pairing them with an item I already own. Lately though, I’ve been making ridiculous impulse purchases with no real forethought about coordination. The first such purchase was a purple komon with silver lamé designs of nadeshiko (pinks), hagi (bush clover), and waves. These are all typically high-summer designs but the kimono is thick and fully-lined, so it’s likely for winter, to evoke the warm feeling of summer.

The auction photos made it look like a fairly soft, dusty purple with some faint silver patterns, so imagine my shock when it arrived and was a bright, vivid, grape soda colour with incredibly reflective and irridescent designs all over! My first thought was “Wow!” My second thought, however, was “what on earth am I going to wear this with?!” Thankfully, one of my other recent impulse purchases was a vivid, fire-engine red reversible hakata obi. It arrived yesterday and today, after a horribly long and harrowing work-week involving threats at my store, the police, and my grandmother being hospitalized, I decided it was high time to relax with kimono.

I paired them up with my blue and red shibori obiage and a blue, red, and pink hakata obijime. A red vintage juban with a white and silver haneri and silver zori and some glittery red lipstick and nail polish completed the ridiculously metallic outfit. One thing I did not bother doing was binding my breasts, so I apologize for the less-than-smooth line. I was only wearing this outfit as a test run, not actually going out, and I’m currently experiencing some… um… time-of-the-month tenderness that makes binding somewhat uncomfortable.

It was very windy in the yard today!

I am very pleased with how these play off each other. They’re both dramatic enough to hold their own but not so busy that they clash. I’d never intended to pair them up, but it was serendipity that they arrived so close together.

Vintage vibe, modern fit!

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Last week I managed to snag an amazing deal. In this entry I mentioned that the best thing a big girl like myself can do is to buy items that fit. Imagine my shock when I found a brand new, synthetic, washable komon that fits me quite well, and has a great vintage vibe to it. Not only that, but it was marked down to $9.85! It arrived in a week, which is even more awesome.

 

I decided to pair it up with my spider obi – I’d forgotten what a pain in the butt that thing is to tie. Thankfully, my father is patient, kind, and always willing to lend a hand or two when I’m having trouble with my obi. I realized that the mauve on my new embroidred obiage tied into the stripes very nicely, so I decided to use that too.

My dad helped me align my obi so there are three awesome, adorable spiders visible. The tare is a bit long, but that was an intentional decision for optimum spiderosity. Yes, spiderosity is totally a word.

Overall, I’m quite pleased with this outfit. I think maybe an embroidred haneri of some sort might increase the vintage feel, but the white works fine for the time being.

Bonus: I had to kick someone out of “his” chair before taking the pictures. He was not amused.

Items used in this coordination