Tag: modern

Tokai-Dos and Tokai-Don’ts

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I’ve had this 53 Stations of the Tokaido tsukesage for a long time now. I’ve never worn it myself, but I did put it on my friend Frances one day. The obi, by comparison, was an absolute impulse purchase a few weeks ago – I was buying another item from the seller and this was only $10 so I couldn’t say no! Especially since it’s a lovely stylisation of Station 49 – Saka-no-shita, which is a station I don’t have on any items in my collection yet. For the price, its absolutely gorgeous. The bulk of the design is woven in, and then touches are pulled out with beautifully lush embroidery to add depth and texture. It’s a bit slippery to tie, but definitely not the most challenging obi I’ve had to work with.

Generally the rules of kitsuke say not to match the motif on your kimono to the motif on your obi, and to contrast the colour of one against the other. However, when I saw these two pieces next to each other, my mind drifted back to my first experiment in very monochrome and matchy outfits, and I wanted to give it another shot. Rules are an excellent starting point, but sometimes breaking them with forethought and intention can produce some amazing results.

I’ve always loved the peachy pink sunset accents on the kimono and decided to make them pop with the accessories. I feel like this resulted in an overall very calm and serene outfit with a bit of punch, and I love it!

I do apologise for the quality of the photos today; my camera was being difficult so I used my mobile phone camera. It worked, but it’s not ideal. However, I make no apologies for the utterly terrible word-play in the title.

Items used in this coordination

Book Review: Geiko & Maiko of Kyoto

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Geiko & Maiko of Kyoto
 by Robert van Koesveld
Language: English
ISBN: 978-0-9944501-0-4
Buy Here

For this volume, van Koesveld was awarded the Photography Book of the Year (2015) by the Australian Institute of Professional Photographers, and it’s easy to see why. While the text is certainly interesting and well-written, the photographs are the heart and soul of this book. They are beautiful, and there are many of them. The book is full of gorgeous, crisp full-colour plates of geiko, maiko, live performances, as well as garments and accessories, and the skilled people who make them. It’s a fantastic glimpse into a world most of us will never get to see.

The book features interviews with maiko and geiko who live and work in Kyoto, as well as interviews and information about the artisans and craftspeople who support the community. It offers an unprecedented look into the Flower and Willow World, the mysterious and ethereal environment where these women live and work that most of us will never be able to experience. It is filled with information that anyone interested in modern geisha traditions and culture would love to have in their collection.

(The tinting and distortion in these sample pages is a result of my scanning process; the photos in the book are absolutely beautiful and these pictures do them no justice)

I would recommend this book for:


-People interested in the tradition and culture of geiko and maiko
-People looking for information about the artisans and tradespersons who support this culture
-Anyone who appreciates beautiful photography

I would not recommend this book for:


-People who have incorrect assumptions about geiko and no interest in learning
-People looking for instructions on how to dress maiko or geiko-style I received this item as a backer perk for a project or product that was crowd-funded (Kickstarter, IndieGoGo, etc)

On Wednesdays We Wear Pink!

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You know how I’m always joking about how I love every outfit I coordinate on the mannequin? Well, today I learnt that nobody can hit a home run every time!

I’ve been wanting to do an all-pink coordination on a Wednesday in honour of the iconic Mean Girls quote for a long time. It seemed like a good opportunity to use this gorgeous pink hakata obi I got in the huge obi bundle, and I tried to build the outfit around it using other pink items in my collection. While I don’t hate it, I’m not crazy about it either. Sometimes a theme or idea just isn’t a winner. I love all of these pieces independently, but together they feel like something is lacking. It even feels like the kimono isn’t hanging quite right on the mannequin. However, it’s been alarmingly hot here (over 40C/105F) for several days now, and I knew there was no way I’d have the energy to re-dress her. So I figured I would give you guys a small glimpse into what happens on the rare occasion that I’m not thrilled with how something turned out!

Hopefully once it cools down I’ll have more energy to do something a little more inspired 🙂 If not, I have a few book reviews to get done.

Vintage style with modern convenience

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After Gofuku no Hi, I realised owning at least one other hakama would greatly expand my kimono wardrobe. Even though I’m still far too chunky to fit into most of my kimono properly, they do a great job of hiding a less-than-ideal hip wrap. I found a lovely modern teal polyester hakama from ebay seller Yoshihori and snatched it up. The seller had embroidered ones too, which were utterly lovely, but significantly more expensive. So I decided to be reasonable and buy the plain one. So imagine my surprise when the seller contacted me, incredibly apologetic, telling me the plain one was sold out and would I like the embroidered one instead, for no extra charge? Of course I said yes!

A few days after I bought it, but before it had arrived in the mail, a friend of a friend posted on facebook that she was selling off a large chunk of her collection, including a gorgeous mauve kofurisode that was clearly meant to be worn with hakama. The colours were gorgeous, and it had a wonderful sort of large-scale Taisho-inspired feel to it. I knew it had to come live with me, and be paired up with the new hakama as soon as it arrived in the mail.

Initially, I’d planned to wear the ensemble to Otakuthon, Montreal’s big anime convention. However, it’s in the middle of August and we’re already regularly breaking the high 30s temperature-wise. Even in a heavily air-conditioned convention centre, there’s no way I could wear synthetic awase and not die. So I decided to put the outfit together to see how it looks. Everything is very heavily decorated with sakura, so of course I chose a coordinating haneri. I waffled a bit between yellow and purple obi, but decided to use the purple so it sort of disappeared. The kimono and hakama are busy enough, the outfit didn’t need another level of contrast.

I know I say this a lot, but I love love love how this turned out. I can’t wait until it’s cool enough to wear it. Maybe for my birthday, in November?

Lovely Layers

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Go figure, as soon as I change the blog’s colour scheme to summer, the real summer vanishes. It’s cold and damp and dreary out, and I was inspired to play with layers. I wanted to replicate the look of a vintage dounuki (under-layer kimono that usually coordinates or contrasts with the layer above it), but using modern pieces. I love the lush look of something very patterned beneath something simpler so I paired up my yagasuri komon and rich blue flowered tsukesage. I also thought it would be a good opportunity to use an awesome tsuke-obi I hadn’t yet coordinated with anything. Yellow accessories contrasted nicely but tied everything together, since there are yellow accents in the obi, and yellow centres on some of the flowers of the kimono.

One thing I learnt is that dressing a wobbly mannequin in multiple layers is even more difficult than dressing yourself in multiple layers. Thankfully my poor, long-suffering father was happy to help by holding her in place and holding layers together while I tied things up. I do think it was worth the hassle though. It looks rich and sumptuous, and all the colours tie together quite harmoniously. I don’t think this outfit is something I would wear out (way too hot and bulky), but I’m glad I put it all together nonetheless.

Items used in this coordination