Category: Catalogue

Geta Makeover

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Geta Makeover!

I purchased these geta a while back from my friend Amelie, because I’d been looking for a pair of slightly dressier geta I could wear with vintage or casual kimono. The straps were painfully tight and an akward shade of green velour that didn’t really go well with anything I owned.

Naomi sent me a wonderful box full of random goodies, and in it was this pair of gorgeous black pinstripe hanao. They’re wonderfully subtle and iki in my mind, and perfect for what I had in mind for the geta in the first place.

I’d lengthened the hanao on several of my pairs of zori before, so I figured I had enough experience to throw caution to the wind and go all Mad Scientist on the geta. There are a lot of images here, so I’ve made them smaller than usual. Click on them for larger sizes if you are curious 🙂

 

Phase 1: Lay the geta, bottoms-up, on a convenient flat clean surface.

Phase 2: Using a pair of small pliers (I used some sturdy jewelers pliers), pull the staple out from the flap under the toes and carefully undo the knotted cords.

Phase 3: Stripped geta bases with no hanao.

Phase 4: Insert the hanao back into the toe-hole, tie it around the metal pin, and carefully hammer the staple back into the rubber flap, making sure the cords are covered.

Phase 5: Thread the ends of the hanao into the back holes and tie the strings together in a tight knot and then tie the excess in repeated square knots around itself.

Repeat for the second geta, and voila, sexy and stylish new look.

While working on them, I noticed the black lacquer had chipped off one of the toes. This was simple to fix with a bottle of black nail polish.

And here I am wearing them with some delightfully obnoxious tabi!

Eventually I would like to replace the rubber soles on the bottom, and will share my adventures with that when the time comes. The whole process only took me about half an hour, and I think it was absolutely worthwhile. I now have a pair of well-fitting and stylish black geta, and the knowledge that I can totally do this again if I ever find another pair that’s not in fabulous shape. I hope seeing the procedure encourages you to try it as well if it’s something you were considering but were feeling overwhelmed by!

Because I can’t go anywhere without buying something!

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Thank you to Rick and the team at Websytz for getting my technical issues sorted out!

I recently got back from a wonderful week in Boulder, Colorado. It was really nice spending time with my friends, catching up with people, and just enjoying what I’ve truly come to believe is my second home.

Of course, I had to make a visit to Janine at the Vintage Kimono Showroom. I had no plans to buy anything, but she had one incredibly amazing haori and an obi that I’d admired the last time I was there, and somehow they magically ended up coming home with me. I also had the fortune of ordering Wearing Propaganda – Textiles on the Home Front and having it shipped to my best friend to save money, so that came home with me too. I’ll be doing a review soon. But I digress; onto the amazing stuff I bought.

Pink bellflower hakata obi


I actually first found this obi the last time I was there but somehow talked myself out of it. When I saw that it was still waiting for me, I had to cave in. I love hakata of all kinds, but especially the sort that’s not geometric, because it’s so much less common.

Eye-searingly awesome meisen spider kiku haori

I finally have meisen that fits me! So yes, admittedly it’s a haori and not a kimono, but I don’t care. It’s vibrant, it’s tacky, it’s amazing, and I love it. I have no idea what I’m going to pair this one up with, but I really don’t care. I couldn’t let it escape my grubby little clutches.

I’d originally found a subtle purple and cream striped haori while at the showroom but when Janine brought this beauty out I just couldn’t say no. It’s not something I will ever find again, and I could not pass up the opportunity. The lining is also adorable, tiny little kokeshi dolls.


I also came home to a box of goodies from Naomi, so I’ll be sharing the contents of that soon enough.

My biggest fans!

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Wow, that title was lame and predictable, was it not? But still, it’s pretty perfect.

Kimono can get very very hot. One of the easiest and prettiest ways to deal with this is simply tucking a pretty and useful fan into your purse, sleeve, or obi. I only have a few, but they’re versatile 🙂

Two-sided dance fan


There is a long and sweet story behind this fan. The city I live in, Montreal, is one of the biggest ports in Canada, and the main entrance into the St. Lawrence seaway. Because of this, we get all kinds of strange boat traffic from all over the world. When I was very young, my parents and I were in the old port area and we came across a gentleman who happened to be a member of the Japanese Navy. His English and French skills were virtually non-existent, and he had gotten himself lost and could not find his way back to the port, or his ship. My father was working in aeronautics at the time and had a few dealings with people from Mitsubishi, and somehow had cobbled together enough to figure out what the poor gentleman was trying to say, so we happily led him back towards the port. His fellow officers were very grateful, and invited us onto the ship for sake (or in my severely underage case, juice).
This fan, along with a banner with the ship’s name, were given to my family as tokens of appreciation for the whole thing.

Stations of The Tokaido – Nihonbashi fan

Yet another item in my strange obsessive collection of Stations of the Tokaido motif items – my only fan, though!

Goldfish fan

Cute summery fan with kingyo (goldfish) motif.

White fan with silver flecks

This was included as a free gift with a couple of obi I bought.

Pink fan with flowers

Given to me as a gift quite a few years ago

Pink bunny fan

Adorable chubby bunnies. I had to have it, clearly.

Tokaido Fukuro Obi, through the kindness of another

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Every once in a while, someone does something amazingly kind that you absolutely don’t deserve, and it reminds you that there are still some truly kind and exceptional people out there. Suara, one of the members of the Immortal Geisha forums, is one of those people.

As I’ve mentioned before, I love anything with the Tokaido 53 Stations motif, and there was a gorgeous obi on eBay that I had my heart set on. Several friends and family members all offered up some cash to help me get it, and I put in a ridiculously high maximum bid. Things went perfectly until the very last second, when I was sniped. I was devastated. I posted a rather angry and expletive-laced rant on the forums, and did my best to move on.

A few days later, another beautiful obi with the same motif but different stations got posted, and I was determined to get it. Unfortunately, I’d suffered the violent death of my backup hard-drive and had to re-prioritize my finances. I bid what I could, got outbid, and yet again posted on the forums, expressing my frustrations.

Fast-forward a few weeks, after a rather long and stressful few days, when I come home to this in my inbox:

Dear Moony,

The last obi for over $170,– made you so sad and I know how much you like this series of Obis. That is why I bid and fought for this obi as a small present to you. A present to say thank you for your kind help, not only to me but also as a mod for many many people here at IG. I tryed to let this obi send to you directly, but I did not have your name and address, nor you Ebay name, and I think, the seller did not realy know what I wanted. So instead of taking any risk, that a wrong person gets it, it is on its way to me, and if you would be so kind to send me your name and address, I will send it right to you ok?

I think that you are a wonderful person, so please except this small gift to show my apreciation.

Kind regards from Germany,

Suara

I was at a total loss for words – in fact, I started crying. While the entire forum is a close-knit community, I’d never dealt directly and personally with Suara, never had any interactions that I’d have imagined would have made such an impression. I was, and still am, beyond touched.

I made a promise to wear the obi and photograph it as soon as possible – unfortunately when it arrived this morning it was too hot for boxers and a tank top, let alone a kimono suitable for this amazing piece. However, I did think that the situation deserved at least catalogue photos, because it’s too beautiful not to share.

The obi base is a soft neutral with a slight shimmer – not quite gold, and not quite cream. The three stations on it are Ishiyakushi, Ohtsu, and Odawara. They’re woven in with great detail in a mix of warm browns and beiges and cool blue and green. The obi is lush and gorgeous, and will make an amazing complement to my strange chidori houmongi/kurotomesode hybrid, as well as several other kimono.

Station 9, Odawara

Station 44, Ishiyakushi

Station 53, Ohtsu

*A quick note on my station numbering – some people may have noticed that it doesn’t always correspond with the numbering used on all websites. The problem is that some places start the road with Nihonbashi being 0 while some consider it station 1. I stick with the numbering system the first reference I used, which starts at 0.

Book Review – When Art Became Fashion: Kosode in Edo-Period Japan

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When Art Became Fashion: Kosode in Edo-Period Japan
by Dale Carolyn Gluckman & Sharon Sadako Takeda
Language: English
ISBN-10: 083480266X
Amazon.com listing
(nb: This volume may be found on eBay for significantly lower price)

I found this book while browsing the “ending soon” section on eBay. I’d never heard of it before, and wasn’t sure if it would be worth the $25 it was being sold for, so I looked it up quickly on Amazon. There was a glowing review by KimonoMomo, whose opinion I greatly respect when it comes to Japanese textiles, and the least expensive used copy available was priced at roughly $65. Based on those factors, I figured it would definitely be worth the investment. Unfortunately, I did not think to ask the seller – shopenjapan – about shipping costs from LA to Montreal, and had a bit of a case of sticker-shock when they sent me the invoice. They did everything in their power to get me the lowest price, were very patient while I tried to find an alternate shipping solution, and when the final shipping to me cost less than anticipated they refunded me the difference. In the end it was still less expensive than buying a used copy on Amazon, and the service was great. I’ll definitely buy from them again if they list similar books!

So, was it worth it? Absolutely! It is actually an illustrated museum catalogue for an exhibit of the same name, much like Kazari: Decoration and Display in Japan 15th-19th Centuries, which I reviewed earlier. It is divided into essays about many topics, from the evolution of the kosode to calligraphy as a motif to the cultural and social impact and relevance of red “beni” dye. Each essay is complemented by many lush full colour photographs and multiple page spreads, as well as smaller inserted black and white and detail shots. When I first got it, I spent several nights simply ogling the photos.

The essays themselves are written in a fairly dry academic style, but they are not difficult to read or alienating to people unfamiliar with the terminology. Any Japanese terms are italicized and explained in clear plain English the first time they make an appearance. There is a very useful glossary of terms in the background that is a huge asset to anyone interested in kimono either as wearable clothing or as historical costume, as well as many fascinating and well-organized charts and graphs documenting the flow of Japanese historical eras, common kosode pattern layouts, and garment dimensions. It is not something I’d suggest for light bedtime reading, but it makes an excellent addition to any kimono-specific or Japanese cultural reference library. Several of the kimono in the book are also in the Kyoto Shoin, Yuzen edition book, but I found this to be a good thing – it was very interesting to see that some of these garments are so historically famous and relevant that they appear in multiple texts.

The layout of the book is also very lovely, the text is clear and the images are crisp and beautiful, with vivid colours and plenty of detail shots. Captions are always large enough to be legible but small enough not to be obtrusive. There are also some very charming touches, such as the text on the first page of each section being in the shape of a kimono. This may not seem like such a big thing, but it really adds to the cohesive feel of the whole book, and as someone who studied document layout in college it really tickled me.

I would recommend this book for:


-People interested in the history of Japanese textiles.
-People studying historical fashion or evolution of fashion and trends.
-People interested in Edo-era Japan.
-People looking for beautiful photos of kimono.

I would not recommend this book for:


-People looking for how-to-wear guides.
-People looking for coordination ideas.

This post contains affiliate link(s). If you choose to purchase, I receive a small rebate or commission which goes to the continued maintenance of this site.

Kazari: Decoration and Display in Japan 15th-19th Centuries