Author: Diane

Menswear-Inspired Coordination

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Several years ago, I came across a photo of a very handsome man in an excellent combination of western-style modern clothing and kimono. He was wearing a crisp white button-down and a tie in lieu of traditional undergarments. Recently, I was reminded of this photo and set out to track it down. Some savvy friends of mine recognised what I was talking about and pointed me in the direction of Kidera-san, the owner and stylist of men’s kimono shop Fujikiya. Lo and behold, there he was in all his dapper glory.

I was spurred on to do my own interpretation of this style, using women’s pieces but still keeping a decidedly masculine vibe. I’ve always loved this tartan kimono and thought it would be an excellent place to start. The colours in it have always reminded me of the tartan of the Black Watch Royal Highland Regiment of Canada, so I asked my father if I could borrow his regimental tie. The plain side of my red grosgrain hanhaba obi and a thin green ribbon pulled it all together. Initially I’d planned to fold the obi in half and use it more like a men’s narrow kaku obi, but it’s quite thick and doubling it up made it impossible to tie. Instead, I went with a flat, fairly neutral karuta musubi.

I think the whole outfit ended up being really effective, and if I ever get back to the point where I can comfortably wear kimono I’m definitely going to do something like this at some point.

Items used in this coordination

Winter to Spring Ikebana

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Here is is, guys; my first attempt at a proper ikebana arrangement!  After spending the past week and a half poring over the books I’ve received. There’s two still in the mail, but the ones I’ve got already help a ton. There is so much to learn, and I suspect in a year or so I will look back on this one with embarrassment, but for now I’m very proud of myself.

For this first project I wanted to keep things simple, so I stuck with a moribana-style arrangement with three types of plant materials representing the shin, soe, and hikae elements. The pussy-willows were chosen to represent the upcoming spring, but also to remind me of my grandmother Lorraine, whose collections and passions for Japanese art have always inspired me. She had pussy-willows in a glass vase in her apartment at all times. The white spider chrysanthemums felt like an ideal way to represent Japan. The red berries represent the last of winter, and bring a bit of colour and rhythm into an otherwise very quiet arrangement.

This was very soothing for me to make, and I’m very much looking forward to continuing this project as I get more access to flowers and greenery.

Art Gallery – Spring by Tsubame-Kimonoya

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This precious piece was done by Tsubame-Kimonoya on Tumblr. I love how she was inspired by the adorable dog Luka in my original photo from Gofuku no Hi last year, and added not one but two dogs! The only thing better than one dog is two dogs. And the details in my outfit are perfectly spot-on.

The weather here in Montreal is finally turning a corner. We got snow on Friday but it’s been lovely since then, and this art feels like a welcome breath of the spring that’s to come.

Taisho Blues

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I know, I know, I said the last outfit I posted would be around for a while. Work continues apace on updating and redoing my visual catalogue, and when I took out this Taisho-era beauty I love so much, I realised I’d never coordinated her with this vintage orange hakata obi and that seemed like a crime. They feel like they were made for each other. But then again, I think hakata goes with everything. When I first got it, I paired it with an orange obi and while I loved the colour contrast, the obi was a metallic, Showa-era blingfest that felt incongruous with the soft vintage feel of the kimono. Springy green accessories were the perfect finishing touch, including a brand new obiage I’ve never used before.

If you’re a regular reader, you know that for whatever reason I’ve always had bad luck with tying obi in tsunodashi musubi but I was really in the groove after putting this outfit together and I figured I’d give it another shot. I’m really glad I did, because it worked out perfectly. The ohashori is quite puffy-looking, which is unfortunate, but sometimes it’s inevitable due to the shape of the mannequin.

Now this is definitely an outfit I’m happy to leave on the mannequin until I’m finished everything else I have in the works.

Items used in this coordination

My Ikebana Journey

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That’s right, I’m dipping my toes into something new! Kimono will always be this blog’s focus and my first love, but ikebana is another traditional Japanese art form that’s always fascinated me. Every time I’ve looked into taking lessons they’ve either been way out of my budget or at times that were impossible for me to work with, or done in a very traditional environment where I’d have to sit seiza for two hours, which my body cannot handle.

However, I was discussing it with a friend recently, and with his encouragement I realised that through the magic of books and the internet, I can at least learn the basics on my own. I did it with kimono and kitsuke, and there were way less resources fifteen years ago than there are now. Maybe one day I will have the time and money to take proper lessons, but until then there’s no reason I shouldn’t start soaking up all the knowledge and experience that I can.

So today begins the first step in my new journey. I am trying to keep to a very strict budget for this venture, since I’m not exactly rolling in spare cash at the moment. I’ve assembled some books from AbeBooks (admittedly, the Dale Chihuly book is not a guide book so much as I love his glass art and I hope it will inspire me) and a basic tool kit, including an antique kenzan that belonged to my grandmother. She was very influential in the development of my passion for Japanese traditional arts; all the artwork and little decorative objects you see in the backgrounds of photos on this blog were hers. My only regret is that I didn’t get more into this sort of thing while she was still alive. She would have loved it all. Thankfully the tools required for ikebana (at least at a very beginner level) are quite easy to procure, and fairly inexpensive. My beginner’s kit is comprised of my grandmother’s kenzan, a smaller one I found at a local florist’s, a tool to straighten the pins, and a neat little set of shears, floral, and wire cutters I got at Michaels for free (after creative use of coupons combined with a mistake on the price tag). The pouch arrived in the mail on the same day as the pin straightener. It was a free promotional item, but it seemed like fate, so now all my tools have a place to live.

 

I’ve also assembled a collection of varying vases and containers to use. Most of them are things I already owned, and a few were found at thrift stores for a dollar or less. So far, the biggest investment here has been the books, all five (plus a dvd) of which set me back less than $20. I think I’m doing quite well up to this point!

I am hoping to post at minimum one arrangement arrangement a month, possibly more if I’m inspired or the garden is exceptionally abundant. I will write about my thought process, what inspired my flower choices, and what I’ve learnt since the last one. Please join me on my ikebana journey!

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