Author: Diane

Tokaido Road for Tony Bourdain

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If you’ve been a reader for a while, you’ll know that I often make coordinations as a sort of coping mechanism when someone I admire passes on. Friday morning, I heard the news I wasn’t expecting to hear for decades yet. Tony Bourdain was dead. Devastatingly, lost to suicide. This one hit me much harder than any other recent death. I’ve been a huge fan of his for longer than I can remember. His television shows, his books, even the comic books he’s written. I’ve actually been working on a post that involves some of those, but it’s been put to the side for the time being.

In an age of approachable, inviting celebrity chefs and easily marketed sound bites, Anthony Bourdain showed us that it was important to be honest and true to yourself. He showed us that it was entirely possible to be ascerbic and foul-mouthed while being open and empathetic. He used his bad-boy persona and privileged status to amplify the voices of downtrodden people who so many would have ignored, and did it all over a shared meal.

This 53 Stations of the Tokaido obi is an item that had been on my wishlist for months, and when I got a notification that it was on sale I jumped on it. I hadn’t used it yet, waiting for the right time, and what a better way to use this motif focused on travel than to honour a man who encouraged us all to travel and explore and experience new things? I kept the rest of the outfit very subdued, to maintain the focus on the obi.

If you do anything today, do it honestly, do it with no reservations. Try something out of your comfort zone. Sit down and listen to someone you’d normally overlook. Reach out to a loved one. Eat something incredible. Do it with open eyes, open ears, open mouth, open heart, and open mind.

Items used in this coordination

Vibrant Poppy Ikebana

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More beauties from our garden – this time it’s these stunning, vibrant poppy blossoms! Poppies hold a special place in this household, for multiple reasons. My mother’s name is Poppy, and my parents met in the Canadian Armed Forces, so the poppy also represents remembrance. There are poppy-themed items all over our house, I have poppies incorporated into one of my tattoos, and of course my mother planted some in our front garden.

I really wanted this piece to be a very simple and clean arrangement with no clutter. I went for a traditional format inspired by what I learned of the Sogetsu school style at the workshop I attended a few months back. A plain white vessel and black pedestal serve to anchor the whole thing while ensuring that all the focus remains on the blossoms themselves. And look, no screen today! Don’t worry though, it’ll definitely be back soon.

Tsubaki Elegance

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I’ve been trying to focus on saving money, only buying accessories to fill noticeable gaps in my collection and kimono that fit me and are versatile. However, I’d had this peach tsubaki beauty on my eBay watchlist over a month and when I got an alert that it was 30% off I just had to go for it. I’m so glad I did, it’s a really gorgeous, classic piece that I’m very happy to own.

Lately it feels like all I’m doing are themed outfits and challenges, and I was eager to get out of that rut. This kimono seemed like the perfect one to do it with, since it’s got such an elegant and timeless feel to it. I was very excited to do something with it, and the coordination fell into place so smoothly, as if it was meant to be.

I chose my beloved emerald green hakata obi to coordinate with the foliage on the kimono. It arrived with a vivid peach dateeri already attached but I decided to go all-out and use a green and gold one as well. I love the rich, layered look of multiple collars but very rarely find the opportunity and colour combos to do so. A simple white haneri with peach embroidery helps balance the busy distraction of the multiple layers. The finishing touch was one of the beautiful new brooches I bought to use as obidome. My initial plan was to use the one with the jade green accents, but they got lost against the obi so I went with the pink. It’s not quite the right shade of pink, but it adds a touch of sparkle that I couldn’t resist.

Items used in this coordination

Tsukihana, Custom Geisha Monster High Doll

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Hello everyone! I’d like you all to meet Tsukihana! Back at the beginning of the year I got a bee in my bonnet and decided I wanted to customise a doll. If you follow me on Instagram, you’ve likely seen sneak peeks and progress shots, but she’s finally complete and I’m so excited to share her.

She started life as a Draculaura doll I bought on the cheap off eBay. I chose Draculaura because I liked the shape of her face, and her skin colour was close enough to a normal human skin tone that it wouldn’t be too difficult to tone down the few visible bits. I also wanted a doll with primarily black hair, but that ended up not mattering in the end.

I started out with her face. I stripped down the original paint, toned down the back of her head and neck with soft pastels, and used white chalk paint as oshiroi. The face details were a combination of pastels, watercolour pencils, and acrylic paint. The Draculaura doll’s face sculpt reminded me very much of a now-retired geiko named Mamehana, so I referenced the following photos of her quite heavily while painting. (1, 2, 3).

My next step was to change the colour of her hands from pink to a more natural tone. Somehow during this process, I lost her hands. I looked for them for literally months, but they’re just… gone. In the end I gave up and bought a replacement set on eBay. I toned them with brown and yellow chalk pastels that helped neutralise the bright pink tone.

When it came to repainting the face and body, I found Dollightful  and Poppen Atelier, two very helpful YouTube channels with lots of information on customising Monster High and similar dolls. Initially, I’d planned to style her original hair using these traditional katsura styling videos but in the end her hair proved too stubborn and poofy, and it looked pretty awful no matter what I did, so I chopped it all off and sculpted a hairstyle out of clay. It’s primarily based on the tsubushi shimada, but I had to take a few creative liberties. Her kanzashi are beads and charms I had lying around.

The outfit was a co-production. Makiko of JaponSakura (who also made this beautiful Pullip kimono) was kind enough to custom-make me a plain black hikizuri-style kimono and coordinating obi using the fabric I selected, since it reminded me of the moon. Once I received it, I painted the plum and bamboo design around the hem and the custom crests myself, I thought since it was such a small scale, using regular acrylic would be fine, but if I were to do another custom like this I’d definitely invest in fabric paints instead. The crests might seem a bit proportionally large by modern standards, but any smaller and they would have just looked like blobs. Her momi (the red fabric wrap geisha wear beneath the obi), juban sleeves, and underskirt are just scraps of red fabric I hand-sewed and tacked into place. The zori are a pair of MH shoes I repainted and modified slightly – they originally looked like this. I removed some of the strap bulk and painted some white to make it disappear a little. I did debate reforming her feet so they would be flat, but I was hesitant to experiment that much and risk ruining the doll. Makiko also included tabi with the kimono but they made her feet too bulky to fit in the shoes, so in the end I just sanded some detail off her toes and painted her legs with the same chalk paint I used on her face.

Her shamisen was improvised, made from foam board, stir sticks, and gorgeous washi tape from The Rare Orchid. I got a bunch of beautiful paper and tape from them, a full review is coming!

This beautiful lady has been a labour of love. For my first custom doll, I think she turned out spectacularly. I don’t think I’ll be doing this on a regular basis, as she was a significant investment in time, workmanship, and materials, but I might make her a friend or apprentice maiko in the future. I’m also seriously considering turning a Skelita Calaveras into a very stylised Jigoku Dayu but that will definitely be a much longer and more detailed project if it ever comes to pass.

Fudangi First Friday – Busy Beauty

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It’s the first Friday in June, so you know what that means! Time for this month’s Fudangi First Friday. This kimono just barely qualifies. While it’s technically a komon a lot of effort was put into matching the pattern up, and there are metallic accents. This arabesque-patterned busy beauty gives me such conflicted feelings. The heavy, slightly rough quality of the silk and the bachi-eri (pre-folded collar) make it really easy to work with, but the pattern is so overpowering that it can be hard to coordinate.

I was determined to do something with it since it’s been languishing in storage for eons, and then I remembered I have this beautiful vintage nagoya obi that has a lot of very similar colours. It’s in bad shape, the lining’s coming unsewn and there are several moth holes in it, but it’s still solid enough to put on the mannequin. I really love how they look together, the colours are a great match and it’s just plain enough that it doesn’t compete with the obi but it’s not boring. Initially I went with all-green accessories but none of the obijime I tried felt right, so I pulled out a cream and red one that echoes the base colour of the kimono and I think it’s perfect.

I’m glad I’ve found another way to use this piece. There’s just something so captivating about all the different colours and patterns in it. I feel like I find something new every time I look at it.

Items used in this coordination