Oshiroi by Meleg Perfumes

I have something incredibly special for you today. Sometimes I cannot believe how lucky and privileged I am that my passion gives me the opportunity to experience things like this. Oshiroi, created by small-batch artisan perfumer Matthew Meleg, is the first fragrance to be made officially in conjunction with geisha, specifically the house of Umeno Okiya of Kamishichiken. If you’re reading this blog, you likely already know what oshiroi is, but for any new readers or people who found me through unusual channels, it’s the traditional name for the classic white face paint used for centuries by maiko and geisha (as well as other theatrical, aesthetic, and celebratory performers — but in the modern day it’s most commonly associated with the flower and willow world).

Meleg Perfumes are all hand crafted using the finest oils and fragrances, and Matthew’s passion for both perfumery and Japanese traditional arts shines through with every thoughtful choice, from the fragrance to the bottle to the external packaging.

As I am not a perfume expert by any means, I will share the official description and scent notes:

The Perfume
Oshiroi is hand-blended in my garden laboratory using pure orris butter—one of the rarest and most precious ingredients in perfumery—and other fine natural materials chosen for their softness, grace, and timeless beauty.
Every bottle is crafted with care, and this inaugural edition is strictly limited to 500 pieces worldwide.


Top Notes: violet enfleurage
Heart Notes: ylang ylang extra organic, heliotrope
Base Notes: Orris Butter from Florence

As soon as I saw these on Etsy, my heart soared, and then sank. I knew a product made with this much love and attention would not be friendly to my budget. However, I thought maybe I could purchase a tiny tester, like the ones you get from stores, so I threw caution to the wind and sent out a message. Matthew got back to me with a response I could not have dreamed of. He offered to send me a custom travel-size to test out and share with you all. Even though this fragrance is a limited run and not available in the travel size he offers for some other products, he went out of his way to not only send me one, but to make this gorgeous custom package for it. You guys. I can’t.

The fragrance is just as transportive and stunning as the packaging. It somehow manages to feel vintage but timeless, not old and stuffy by any means. You can just imagine this scent wafting delicately through any period in time. It’s floral, but not too much. A bit powdery, a bit woody, but all so perfectly balanced that it never feels heavy or overwhelmed by one note. I can imagine that my grandmother might have worn this and I mean that as the highest compliment. She was an incredibly stylish, fashion-forward, and put-together woman, and the person who inspired my love of Japanese traditional art from the beginning.

Also, the packaging for the full-sized bottles is a work of art in itself. This is a showpiece, something you’d be proud to display along with a collection of vintage kimono and artwork. Not only is the bottle itself stunning, it comes with a certificate of authenticity as well as a little hanameishi from maiko Umemai.

photos courtesy of Matthew Meleg and Umeno Okiya

This perfume is by no means an impulse buy, and I understand that times are tight for a lot of us. I wish I could turn it into a daily fragrance but it’s so special that I will be saving it for important moments. But for anyone enamored of the flower and willow world who has the budget, it’s an incredibly unique and worthwhile splurge. It’s on par with buying a designer fragrance, but comes directly from a passionate artisan and an actual geisha house which makes it all the more special. It also inspired me to do something fun that should be posted soon, so keep an eye out.

Please check out Oshiroi and other Meleg Perfumes on Etsy, even if it’s just to admire the stunning beauty of these products.

 I received this item from the retailer or manufacturer for honest review purposes.If you have a topically appropriate craft, product, or service you would like me to review, please contact me. 

Back to the Classics

It feels like sometimes I get so caught up in my kitsuke experimentation, be it kimono-as-costumes, turning a kimono into a ballgown, steampunk hime-styles, or one of the other multitudes of things I’ve done lately, that I forget about the timeless simplicity that drew me to kimono in the first place. So for this outfit, I decided to go in a very clean and traditional direction that’s all about the little details. I paired up my sagara embroidery tsukesage with an obi I got in the infamous obi bundle and hadn’t used yet. Accessories were plain and classic, a casual obijime that reflects the colour of the kimono and an obiage that adds a little bit of sweetness while still being quiet and discreet. This obi’s motif placement is very strange, and I had to cheat a fair bit while tying it, but isn’t that what mannequins are for? 😉

I doubt I’ll be reaching for this obi again any time soon, which is a shame because the soft embroidered details on it are so pretty. It’s just too much of a nuisance.  But I very am glad I decided to drag these two pieces out of storage and do something with them. I’m working on a bunch of new stuff behind the scenes, so this may be the last outfit post for a few weeks. I’m glad it’s one I’m proud to leave on the mannequin.

Items used in this coordination