My first furisode – because being a girl both rocks and sucks sometimes.

I was already in my early twenties when I started collecting kimono, and in my mid-twenties when I became serious about it. I’d always told myself I would never buy a furisode, particularly an expensive one, because I was already borderline too old for them, and I don’t go to dressy enough events to justify one. It’s funny how things change.

I’ve already mentioned Vintage Kimono in Boulder in another entry, but that was actually not my first trip there. I go to Boulder with some frequency, as my best friend lives there. The first time I went, I insisted he take me to “this place that sells kimono”, and he was kind enough to come with me.

I’d promised myself I was not going to go overboard, and asked him to help me with some restraint. I tried on a few things, put them back, found a haori I’d decided I was going to get, and thought I was done. And then I saw this:

Until this point I hadn’t even found a furisode that interested me – most of them were too gaudy, too youthful, or too colourful. This one drew me in from the moment I saw it. The muted, dusty colours, the relatively (by furisode standards) subdued layout, the gorgeous ruffly peonies. I figured I’d just throw it over my shoulders and imagine myself in it, and be done with it.

So I carefully took it off the rack, and draped it over my shoulders. I looked at my friend. At this point I should probably explain that while he is my best friend and confidant, I am also very much in love with him. I know it’s entirely possible for a man and a woman to be just friends but unfortunately I was not that lucky, and this is where being a girl sucks sometimes. When I posed for him while wearing it, he made this goofy half-smile and said “It looks nice on you” and my heart just melted into a pile of hormonal goo. I knew it was coming home with me, no matter that I had no place to wear it, and could barely afford it. To this day, it’s still one of my favourite pieces, both for its appearance, and because of the memories I have of purchasing it. I’ve only tried it on a few times, since dressing myself in furisode is more complicated and convoluted than it’s worth, but I vow that I will wear it out to an event or party at least once before I turn thirty. I will also wear it better than I did here – these photos were taken before I started properly binding my bust, and I know I folded the hem way too short.

Vintage vibe, modern fit!

Last week I managed to snag an amazing deal. In this entry I mentioned that the best thing a big girl like myself can do is to buy items that fit. Imagine my shock when I found a brand new, synthetic, washable komon that fits me quite well, and has a great vintage vibe to it. Not only that, but it was marked down to $9.85! It arrived in a week, which is even more awesome.

 

I decided to pair it up with my spider obi – I’d forgotten what a pain in the butt that thing is to tie. Thankfully, my father is patient, kind, and always willing to lend a hand or two when I’m having trouble with my obi. I realized that the mauve on my new embroidred obiage tied into the stripes very nicely, so I decided to use that too.

My dad helped me align my obi so there are three awesome, adorable spiders visible. The tare is a bit long, but that was an intentional decision for optimum spiderosity. Yes, spiderosity is totally a word.

Overall, I’m quite pleased with this outfit. I think maybe an embroidred haneri of some sort might increase the vintage feel, but the white works fine for the time being.

Bonus: I had to kick someone out of “his” chair before taking the pictures. He was not amused.

Items used in this coordination

Blackbirds singing in the dead of night

This obi is one of the most beautiful and frustrating things in my collection. It was a gift from a dear friend – I saw the strange black birds and fell in love, but was short of cash at the time.

When it arrived to me, the black silk backing was rotting away and leaving dust on everything, so it has been removed.

The strangest thing about it, however, is the proportions. The designs are evenly spaced every 24″/60cm. The obi itself is 133″/338cm, which is short for a full fukuro. The oddest bit, however, is that it’s obviously meant to be tied in niijudaiko, the formal double-layered musubi.

The last set of blackbirds is upside-down, and has less embroidery on the wingtips than the second-to-last set. However, the obi is so short it’s barely possible to tie it in standard otaiko musubi. I realize I am wider around the midsection than the average Japanese woman, but not to such a significant extent. Also, when tied in any normal manner, no birds end up anywhere visible on the front.

I do love the obi, and the fact that it was a gift makes it even more special to me, so I am seriously considering cutting it up and making it into a pre-tied obi, because I doubt there is any other way I could ever wear it.

I would love to hear suggestions as to what to do with this, and possible other musubi it may work with.

Edit: It turns out this may be a relatively obscure form of obi known as hikinuki obi, they are a form of stage wear that is meant to be tied quickly in front and moved to the back. It would explain both the pattern layout and the unusual motif. I will have to try tying it in this manner and see!

Update: I have finally repaired this obi. See the how-to and finished product here.