Author: Diane

Tokaido Kurotomesode

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I actually received this quite some time ago. I purchased it on eBay and had it sent to my friend Jamie in NYC because Canada Post was on strike at the time and I was concerned about it getting lost. I picked it up when I was visiting her over a month ago, but I’ve either been busy or not in the mindset to blog lately, unfortunately. However, since I’m back in the mood now, I thought this would be a lovely piece to share with you all.

While kurotomesode are really the last thing I could really justify, and this thing is techincally too small for me to wear, I couldn’t pass it up due to the Tokaido motifs, as well as the non-standard design on the sleeve, much like my chidori and matsu kurotomesode.

The stations are woven onto patches of soft white bokashi-style dyeing so they stand out better, and it gives a really nice cohesive feel to the whole kimono. I also love that there’s a station on the sleeve, which is not standard for kurotomesode. It feels a bit more youthful this way. I also really like that the kimono artist took slight liberties with the design, sometimes moving things around, removing people from the scenes, etc. It makes it a bit more unique.

Tokaido Kurotomesode

Station 16 – Yui (reversed from original)
Tokaido Kurotomesode

Station 35 – Goyu (people removed)
Tokaido Kurotomesode

Station 46 – Kameyama
Tokaido Kurotomesode

Station 38 – Okazaki (people removed)
Tokaido Kurotomesode

There are also small vignettes that are either very loose interpretations, something from another print edition, or simply original inspired designs by the kimono creator that included.

Tokaido Kurotomesode

Tokaido Kurotomesode

Tokaido Kurotomesode

Book Review – Wearing Propaganda

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Wearing Propaganda
by Jaqueline Atkins for Yale University Press
Language: English
ISBN: 9780300109252
Amazon.com Listing
Yale University Press Listing

This review has been a long time in coming, but the book is so incredibly fascinating that I wanted to ensure I did it justice. I ordered this on eBay quite some time ago, but the international shipping turned out to be so incredibly expensive I had to have it sent to a friend I was visiting in the United States. It was a bit of a hassle getting it, but it was definitely worth it from a research and historical standpoint. The book is absolutely fascinating.

I should make it clear that, despite the cover, this is not specifically a “kimono” book. It is an anthropological study and catalogue of propaganda clothing during World War II. The bulk of the book is split between the USA, the UK, and Japan, but the clothing from Japan is by far the most striking. I say that not only because I am a collector, but because it’s the only country where the propaganda items are regularly integrated or hidden in “everyday” clothing, instead of on flags, bandanas, etc. I find it incredibly fascinating to see how they incorporated such striking and symbolism-laden motifs into the traditional Japanese aesthetic.

While there are some beautiful photographs, this is primarily an academic catalogue, so don’t expect models wearing fabulous outfits or tips on coordination. However, if you have an interest in the evolution of kimono and how world affairs can impact fashion and culture in unexpected and dramatic ways.

It is also important to keep in mind that since Japan was on the “wrong” side of the war in the minds of most of the world, there are some pretty striking images in here. The book pulls no punches when it comes to startling imagery such as bombs and bomber planes, Swastikas (not to be confused with traditional manji motif), etc. You need to approach these with an open and academic mind, and remember that some of the garments in this book come from a time that is a scar on the Japanese psyche as well.

I would recommend this book for:


-People with an interest in historical clothing in general.
-People studying propaganda and war history.
-People looking for original and unique items.

I would not recommend this book for:


-People looking for coordination ideas.
-People looking for how-to and kimono dressing books.
-People interested in ancient kimono history – this covers only the time around WWII.

This post contains affiliate link(s). If you choose to purchase, I receive a small rebate or commission which goes to the continued maintenance of this site.

Sorry for the lack of updates

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My life’s just been kind of all over the place lately, and I apologize. I’ve got plenty of things to write about in the near future, I just need to find the time and motivation. Catalogue posts, outfits, book reviews, etc. Thanks for sticking with me!

They followed me home, I swear.

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If you’re an avid collector, it can get to the point where kimono and related items really do just start following you home. As I mentioned in this entry, I came home with a bunch of kimono in my suitcase, despite my best efforts. One of them is a gorgeous Tokaido piece I’d actually purchased on eBay and had shipped to my friend Jamie, due to the postal strike, and it will be getting its own entry. Here are the other two.

Mauve-brown pussywillow komon
Pussywillow Komon

Pussywillow Komon

We were out browsing and shopping in Soho and Jamie started getting amusingly evasive and vague about our next destination. I was so touched when we ended up at Kiteya, a beautiful gem of a shop. The front of the store is filled with wonderful Japanese handicrafts, jewelry, art objects, etc. The back room has two big comfy chairs (which made the rest of our group very happy) and a bunch of kimono (which made me very happy). The service was wonderful, everyone was very friendly and helpful. There were some incredibly gorgeous vintage pieces, but their prices were pretty much gallery-standard, and while they were not unreasonable they’re more than an online bargain-hunter like myself is used to paying, and the only piece I was tempted to justify a big price on (Taisho houmongi with gorgeous peacock design) was just waaaaay too short for me. I was about to give up when I noticed this modern synthetic piece buried under a bunch of other things.

This colour is not only impossible to describe, it was impossible to photograph too. It’s sort of a dusty mauvey brown taupe something I dunno. A pinkish brown, a brownish pink, I’m not sure? But I do know it’s completely adorable. I love pussywillows, they remind me of my grandmother, who always had a bundle in her living room. The ones on here are very adorable too, in soft springy shades of pink and blue. It’s a nice versatile spring kimono, and I look forward to wearing it. I needed more wearable, unlined pieces anyway.

Black tsukesage-komon with diamond fan design
Black fan tsukesage-komon

Black fan tsukesage-komon

This is kind of a funky oddity – it’s a half lined komon but arranged in very specific stripes, there’s even a seam across the hips to help ensure the pattern falls properly. I actually won this awesome piece in a raffle at the street fair mentioned a few entries back, and it’s not only unique and quirky, but it fits me really well. It’s so awesome. It’s half-lined in bright red, but the top is unlined which will help keep it airy and breathable. I also love how the design from afar just looks like little diamonds, but up close they’re actually fans. It’s so charming.

Hakata and momiji chuuya obi

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I’ve professed my love for hakata obi many times before, and I’ve been lusting after unique, vintage chuuya (night-and-day reversible) obi for a bit now. When this one came up on eBay I was positive it would shoot out of my price range, especially since I was preparing for a trip to New York City and couldn’t afford any big-ticket items.

With a day left and barely any bidding, I figured I’d have to toss out a little bid, but I was really resigned to saying goodbye to this beauty. I guess the universe was feeling sorry for me because I picked it up for a song.

One side is a stunning, delicate yuzen-dyed momiji (turning maple) motif on indigo-purple diamonds. A few of the more visible leaves also have a bit of embroidery along the veining, which is a really pretty and delicate touch. The inverse is a lush burnt orange hakata weave, and both sides are incredibly lush.

It does have a slight bit of age-related patina, but it’s nearly invisible except under direct close-up flash photography. It’s wonderfully wearable, and I think it will go very well with the irotomesode I just received.

Momiji and Hakata chuuya

Momiji and Hakata chuuya

Momiji and Hakata chuuya