Tag: indigo

Geisha Henshin

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So as I mentioned in my last post, I was going to be visiting Naomi. One of the things we’d planned to do was a full geisha henshin, something I lacked both the know-how and wardrobe to do. I knew she had a lovely purple hikizuri with ferns on it and we’d decided to use that. HOWEVER… about a month ago, a gorgeous hikizuri in shades of purple with indigo ariso (curled up jumping carp) showed up on eBay. I wanted it desperately, but with my trip coming up I couldn’t justify bidding too much, so it slipped out of my grasp. Imagine my shock when Naomi was handing me things to look at and said “oh, and I have this old thing, you can keep it”, and I saw that very hiki when I unfolded it. I was in a bit of a tired, emotional state to begin with and I totally lost it and started crying, I was so touched. It turns out she and Erica had conspired to get it for me as a “very very early birthday/Christmas present”. For the record, my birthday is in November.

Araiso Geiko Hikizuri

So anyway, when we did the henshin today, of course I had to wear my new hiki. I have to say, it still feels weird to say that. My new hiki. Mine!. But I digress. It was a super fun experience, and we took waaaaay too many pictures. I’ve refrained and only posted my favourites. And, just because it’s hilarious – geisha henshin with a shaggy, grown-out mohawk and a giant stuffed octopus.

Indigo Girl

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I’d been waffling about buying a Taisho-era indigo piece for a while when this came up on Ichiroya, and while it was a bit more than I usually pay for kimono, the colour, size, and condition of it were all worth the investment in my mind. This is a houmongi with era-typical long sleeves and a beautiful, multiseasonal floral design. It’s got branches of ume (plum blossom), iris, botan (peony), and bamboo around the hem, and a bold, graphic stem of tachibana, which is probably my favourite floral motif. I love how squishy and fun they look!

It also has some gorgeous, lush embroidery on some of the geometric designs

However, I think one of my favourite things about this kimono is probably one of the most subtle. Woven directly into the fabric, before the dyeing process was started, is a gorgeous red and gold windowpane plaid. You’d never see detailing like this on a modern houmongi, as nowadays that sort of design is considered strictly informal. Naomi wrote a great piece on the qualities of indigo dye, and the transitional phenomenon of putting stripes (which are very casual by modern standards) on more formal kimono. It’s a trend I think is beautiful and needs to come back into vogue.

I’ve worn this kimono once, but only inside the yard, as I’m a little worried about wearing such an old piece out and about. Maybe one day when the right time and place come up, I will do so. I chose to pair it with a late-Showa era obi, which may seem odd but the clouds, grasses, and colours just seemed perfect with it. The obiage and obijime were a gift from a friend, and bring out the soft blue and olive tones in the kimono perfectly. For a vintage feel, I chose some burnt paulownia geta instead of zori.