Tag: furisode

Armed & Dangerous

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The mannequin, I mean. Not me! She’s still not perfect, but we managed to make her arms work for the time being. After all the fuss and bother on Saturday, I figured that since she had arms now, I should probably work on getting her dressed. I thought that to get myself out of the funk, I’d try to redo one of my favourite old outfits featuring one of my most prized kimono. Unfortunately, it’s basically unwearable now due to the sleeves detaching and a lot of the gold embroidery lifting off the silk, but gently draping it on the mannequin is safe enough.

Rather than use the same old hakata obi I used last time, I decided to see what I could do with the tsuke darari obi I got over the summer. I think I managed to disguise it quite well and I totally love how they tied together. This green and gold date-eri really looks like it belongs with this obi, doesn’t it? Red accessories finished things off and pulled out some of the warmer tones from the kimono. I had fun with the obijime too. I love playing with the multiple thin ends on some of these fancy furisode obijime.

It may have been a struggle, but I’m glad I pushed through because the end result is so beautiful. I will, however, be looking for someone to repair this kimono. At the very least, the sleeves need to be re-attached properly and the gold couching needs to be fixed where it’s coming off.

Items used in this coordination

成人の日Seijin no Hi 2019

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Today is 成人の日 (Seijin no Hi, coming of age day), so of course it’s time for a 成人式 (Seijin Shiki, coming of age ceremony) outfit! It seems like the further away I get from my 20th birthday the more fun I have with these. Go figure!

I’ve been meaning to pair my newest furisode with this black-based obi to make the hanaguruma stand out more, and this seemed like the best time to do it. Since there’s already a lot going on with the kimono and obi, I went with a relatively neutral haneri that’s still bright and bold enough to feel youthful.

I used my handmade sanjuhimo and had fun improvising a big, bold obi musubi. My original plan was to use this round salmon-coloured obijime to hold everything in place, but it got a bit lost against the obi. Then I realised I could use it as a decorative accent in the obi musubi, and I love how it looks! I used a punchier lime-green and metallic obijime instead, and balanced that colour out in the obiage and kasane-eri.

The white fur collar is a very common addition to seijin shiki ensembles; since they take place in early January it’s a great way to add both warmth and elegance to the furisode. In previous years, I’ve used a brown and grey fur stole, but this year I really wanted to go with the more traditional bright white. You’ve got no idea how hard it is to find one though. I hit up a bunch of boutiques and thrift stores and even went looking in fabric and craft stores, and had no luck at all. I was about to give up when I remembered I had this sheepskin from Ikea, of all things! A few straight cuts with a very sharp blade and voila, a beautiful, fluffy white stole.

I think this is probably the most successful seijin no hi outfit I’ve put together so far.

Items used in this coordination

It’s My Party…

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And I’ll… uh… dress up the mannequin if I want to? My birthday is rapidly approaching so for the month of November, I’m just going to do coordinations and outfits based on what speaks to me at the moment. I decided it was time to feature some more of the stuff I got as early birthday gifts at the kimono bazaar last month and this furisode was crying out to be shown off, so here we go!

I honestly have no idea why I was so drawn to this particular furisode when I saw it. I tend to prefer cool-toned colours, don’t particularly like coral or orange, and think Heian-era cart motifs look a  bit like deformed marshmallows. And yet, as soon as I saw this piece, I knew it was coming home with me.

I figured I would lean in to the colour scheme, despite it being comprised of shades that aren’t particularly to my taste, so I used orange and coral accessories. Initially, I’d planned to use an obi with orange clouds and gold grasses, and while I still think it would look great with the kimono, I decided to veer off and use this gold one with hits of orange and seafoam green. I played up the green and gold with a kasane eri as well, which is something I should really do more frequently.

And of course, I thought I’d give the new sanjuhimo I made a try. It really does make things so much less of a hassle! I sort of improvised this musubi, and I think it turned out quite fun and pretty.

As much as I loved doing the Halloween Yokai project, I was really in the mood to just make an outfit based on what looked pretty, rather than having to focus on layers of meaning and symbolism. This absolutely fit the bill!

If by some ridiculous miracle you want to send me a birthday gift, I have wishlists on Amazon, Pinterest, and Tokyo Otaku Mode, or you can always PayPal me a few bucks. Any money received as gifts from here goes right back into the blog and maintaining my collection. Right now my two main priorities are a set of articulated arms for the mannequin, and more tatoushi for storage and organisation.

Items used in this coordination

Pretty Pastel Princess

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I’ve been behind on mannequin coordinations lately! Hopefully this pretty pastel princess outfit will make up for it. I’ve wanted to do something sweet and girly with this furisode since I used it for Cinderella, and I finally decided to stop procrastinating and just do it.

I really wanted to play up the pink accents in the kimono, so I chose pink accessories and a silvery white obi with pink details and everything ties together so nicely. Despite all the pieces being relatively flashy and youthful-feeling, somehow the coordination still feels gentle. I’m not sure how I feel about the choice of obijime, since the blue doesn’t quite match the kimono, but I’ve been wanting to use this beaded one since I got it and couldn’t resist.

Since this was a dressy furisode outfit, I used the opportunity to practice my fukura suzume (chubby sparrow) musubi. I really do need to branch out and work on more interesting musubi in general, and I am going to try to make a habit of it in the future.

Overall, this coordination came together pretty much exactly how I’d been imagining it in my head and that makes me really happy. And while it’s certainly not as big as my new modern komon, this kimono nearly fits me properly so one day I’ll have to put this outfit on myself. Since the kiku is my birth month flower, maybe I’ll wear it for my birthday when next November rolls around.

Items used in this coordination

Furisode Dress Tutorial

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Several months ago, some photos started making the rounds of an awesome way to temporarily modify a kimono to wear over a Western-style dress, as a sort of reversible fusion of traditional and modern. I was determined to figure out how to do it, and I think I succeeded quite well back then. While commonly suggested for a wedding, these would also be a really special and unique outfit for a prom, ball, sweet sixteen, quinceañera, or any other event where a ballgown would be worn.

Since then, several people have asked me for a tutorial and I kept getting sidetracked by other projects and my own squirrel brain. The original photos, as well as new ones, are now making the rounds again so it felt like a good time to revisit it and do a proper step-by-step breakdown for you all.

This can be a bit tricky, so if you’re hoping to do it for an event I’d absolutely suggest practising a few times and having someone to help you out.

You will need:

  1. Dress with voluminous skirts
  2. Kimono (furisode work best)
  3. Fukuro obi
  4. Obijime
  5. Obiage
  6. Koshihimo (several)
  7. Kasane-eri (optional)
  8. Accessories (optional)

Other dressing accessories such as an obi-ita, obi-makura, dressing clips, etc, are optional but helpful, depending on what kind of obi musubi you have in mind. Make sure you have everything near at hand, because once you start tying and bustling the kimono it’s not the sort of thing you can pause and walk away from.

Step 1 – A naked mannequin! How scandalous! Seriously though – if you’re dressing a mannequin this is your starting point. If you’re dressing yourself, put on whatever traditional foundation garments you’d wear under your dress. Forget kimono underwear now, just wear something comfortable that won’t show under your gown (unless that’s what you’re going for, in which case, you do you. A harness bra would add a really fun gothic element with the right kimono)

Step 2 – Put your dress on, make sure it’s fully secured and done up. It will be carrying some extra strain, so you want to make sure it fits you properly and won’t go sliding around when you adjust the kimono over top.

Step 3 – This is where things get fun. Pick up your furisode and hold it up in front of you, with the back facing outwards. You’ll be putting it on backwards. Find the centre point of the collar, align it at your sternum. If you want to add a kasane-eri for a bit of colour and contrast, now’s the time. Once you’ve got your kimono arranged across your bust, wrap it around your torso and hold it snug while you tie everything in place with a koshi-himo. Make sure to leave the sleeves free, you will be adjusting them later. This is where a second set of hands definitely helps. If you have someone to hold everything in place for you while you tie the kimono in place, it will be much easier.

Step 4 – Once you have the kimono tied snugly in place, you can start pulling up the excess and folding it over the himo tied at your waist. If you’ve worn kimono traditionally, this part is very similar to adjusting your ohashori. You can have some fun here; there’s no specific length that the kimono has to reach. You can hike the kimono up far enough to show the hem of your dress, or you can have it almost dusting the ground.

Step 5 – Once you have the length determined, arrange the sleeves behind the dress and snugly tie everything in place with another himo. You can arrange the sleeves in the back like this, and it almost forms a train. You can also have them draped around the front like I did with the previous furisode dress, which gives a more youthful vibe, almost reminiscent of an apron or jumper. Have fun and experiment.

Step 6 – Smooth everything out with an obi-ita, and take the time to smooth everything out. If you need an extra koshi-himo or two don’t hesitate to use them. Make sure everything is snug and secure, especially if you’re dressing yourself (or another person) and not a mannequin.

Step 7 – Once everything is good and tight, you can begin wrapping your obi. This part is going to be essentially the exact same as when wearing kimono. Wrap twice around the torso and use the rest to tie your musubi. You can have fun here too; this outfit is so non-traditional you can really go wild with how you tie the obi. For simplicity’s sake I did a sort of bunko variant but there are really no rules here.

Step 8 – Secure the obi with an obijime, make sure it’s good and snug. If you used an obi-makura, hide it with an obiage. Even if you don’t need the obiage, it’s a nice way to add a little more colour and texture to your “dress”. Again, have fun! We’ve broken so many rules by this point there’s no real reason to worry about the others.

Step 9 – Voila! Your new ballgown is ready for the runway, with no modification or damage to the kimono.

I hope this is easy enough to follow along. Feel free to ask for clarification if you need help, and if you attempt this I would love to see photos!