Japanese-Inspired Dollhouse

 

Something a little different today! If you’ve been following me on Facebook or Instagram, odds are good that you’ve seen little bits and pieces of this Japanese-inspired dollhouse project I’ve been working on for quite some time. It’s finally complete, and it’s so satisfying to see everything together.

I started with this Romantic Nordic Cottage kit, but essentially only used the base structure and wiring kit. I liked the clean lines and open feel of it, and thought it would suit a Japanese aesthetic well. I kept the basic layout the same and used a few of the pre-cut pieces but also added a lot of custom furniture and accessories. I made a functional tansu and a sort of tokonoma out of popsicle sticks and stained with cherrywood stain markers. The markers made things so much easier, the small tip is the perfect size for this scale. The walls were covered with an assortment of embossed paper in neutral tones instead of using the busy and overly shiny print-outs included in the kit.

The bedding, hanging kimono, zabuton cushions, and chair upholstery are all actual kimono fabric scraps, as are the items inside the tansu. I tried to use pieces that had smaller-scale designs, to fit the general scale and dimension of the house. While I tried to make or at least alter nearly every piece, I bought the sushi, edamame, and dishware at a miniature expo. The decorative bowls and small cooking pot in the kitchen came from there too.

The original kitchen included in the kit had no sink, and the oven front was nothing more than a print-out I was supposed to glue onto a piece of wood, but it looked very unfinished. I used some heavy reflective paper to make a metal sink and build an oven door out of more of the same paper and some matchsticks. I even put on a tiny tea towel, made of shibori fabric.

The aquarium is quite possibly the thing I am most proud of. It was my first time working with resin, and I’m so pleased. I built the structure out of more popsicle sticks, used some gorgeous chiyogami paper from The Rare Orchid as the background, and I decorated the inside with some plant matter, teeny tiny shells, and polymer clay goldfish. I also had so much fun making the kokeshi doll in the little decorative shelf. Pretty sure that’s the tiniest face I’ve ever painted!

I really loved doing all the tiny detail work and decoration. I used a lot of beads and minuscule little knick-knacks I had lying around, and these sorts of things really help the whole thing feel like a real, lived-in home. There’s prints in the kitchen, including some vintage Japanese advertising and an adorable Sushi Cats print, and the art hanging in the tokonoma is by Ichiro Tsuruta, whom I’ve mentioned here before.

The tatami flooring is actually tatami repair stickers! The tile in the kitchen is adhesive vinyl cut into 1cm squares, and the flooring in the dining area is  more of the same imprinted heavy paper used on the walls. To give everything a more polished look, I finished off the edges with more stained coffee stirrers. It’s hard to see, but the bathroom is also “tiled” with more self-adhesive vinyl, and I made a mirror with the same reflective paper used in the kitchen. There are little bottles and toiletries made of beads. The initial kit just had clear acrylic walls in the bathroom, but that felt very exposed to me so I used some semi-opaque paper and decorative wire mesh to give a feeling of privacy.

This project was a labour of love, and reinforced how much I love working with miniatures.

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Art Gallery – Pink Komon Portrait by Logan Spector

I fell in love with illustrator Logan Spector’s art in a group on Facebook we’re both part of. I contacted her about a kimono-related commission, and I am so beyond glad I did! I absolutely love how this turned out.

It’s obviously based off my recent coordination at the botanical gardens, and Logan’s attention to detail is just blowing my mind. From the kimono itself to the pattern on the haneri to my glasses and earrings, everything is spot-on perfect and translated into her unique art style so well.

I get really happy seeing how different artists interpret my face in their own looks while still being true to my weird nose and squishy jaw-line, and Logan was no exception. The whole process from start to finish was very pleasant, she showed me a draft and asked for input and kept me in the loop the whole time.

Please check out Logan Spector’s website and Instagram!

Tsukihana, Custom Geisha Monster High Doll

Hello everyone! I’d like you all to meet Tsukihana! Back at the beginning of the year I got a bee in my bonnet and decided I wanted to customise a doll. If you follow me on Instagram, you’ve likely seen sneak peeks and progress shots, but she’s finally complete and I’m so excited to share her.

She started life as a Draculaura doll I bought on the cheap off eBay. I chose Draculaura because I liked the shape of her face, and her skin colour was close enough to a normal human skin tone that it wouldn’t be too difficult to tone down the few visible bits. I also wanted a doll with primarily black hair, but that ended up not mattering in the end.

I started out with her face. I stripped down the original paint, toned down the back of her head and neck with soft pastels, and used white chalk paint as oshiroi. The face details were a combination of pastels, watercolour pencils, and acrylic paint. The Draculaura doll’s face sculpt reminded me very much of a now-retired geiko named Mamehana, so I referenced the following photos of her quite heavily while painting. (1, 2, 3).

My next step was to change the colour of her hands from pink to a more natural tone. Somehow during this process, I lost her hands. I looked for them for literally months, but they’re just… gone. In the end I gave up and bought a replacement set on eBay. I toned them with brown and yellow chalk pastels that helped neutralise the bright pink tone.

When it came to repainting the face and body, I found Dollightful  and Poppen Atelier, two very helpful YouTube channels with lots of information on customising Monster High and similar dolls. Initially, I’d planned to style her original hair using these traditional katsura styling videos but in the end her hair proved too stubborn and poofy, and it looked pretty awful no matter what I did, so I chopped it all off and sculpted a hairstyle out of clay. It’s primarily based on the tsubushi shimada, but I had to take a few creative liberties. Her kanzashi are beads and charms I had lying around.

The outfit was a co-production. Makiko of JaponSakura (who also made this beautiful Pullip kimono) was kind enough to custom-make me a plain black hikizuri-style kimono and coordinating obi using the fabric I selected, since it reminded me of the moon. Once I received it, I painted the plum and bamboo design around the hem and the custom crests myself, I thought since it was such a small scale, using regular acrylic would be fine, but if I were to do another custom like this I’d definitely invest in fabric paints instead. The crests might seem a bit proportionally large by modern standards, but any smaller and they would have just looked like blobs. Her momi (the red fabric wrap geisha wear beneath the obi), juban sleeves, and underskirt are just scraps of red fabric I hand-sewed and tacked into place. The zori are a pair of MH shoes I repainted and modified slightly – they originally looked like this. I removed some of the strap bulk and painted some white to make it disappear a little. I did debate reforming her feet so they would be flat, but I was hesitant to experiment that much and risk ruining the doll. Makiko also included tabi with the kimono but they made her feet too bulky to fit in the shoes, so in the end I just sanded some detail off her toes and painted her legs with the same chalk paint I used on her face.

Her shamisen was improvised, made from foam board, stir sticks, and gorgeous washi tape from The Rare Orchid. I got a bunch of beautiful paper and tape from them, a full review is coming!

This beautiful lady has been a labour of love. For my first custom doll, I think she turned out spectacularly. I don’t think I’ll be doing this on a regular basis, as she was a significant investment in time, workmanship, and materials, but I might make her a friend or apprentice maiko in the future. I’m also seriously considering turning a Skelita Calaveras into a very stylised Jigoku Dayu but that will definitely be a much longer and more detailed project if it ever comes to pass.

Art Gallery – Six Modern Bijin Artists You Should Follow

Bijin-ga (美人画) literally means “picture of beautiful person”. They originate in the woodblock prints of the Edo era, and typically depicted beautiful women from various walks of life – from everyday women doing everyday things to famous courtesans reclining in luxurious surroundings. Many famous artists produced bijin-ga prints; some of the most well-known being Utagawa Kunisada, Kitagawa Utamaro, and Tsukioka Yoshitoshi.

Around the transitional period from late Meiji through Taisho into early Showa era, artists such as Jun’ichi Nakahara, Yumeji Takehisa, and Katsuji Matsumoto‘s modern styles made an enormous impact on traditional bijin-ga and produced works that helped form the flowery, large-eyed shoujo manga aesthetic as we know it.

With the advent of more modern printing technologies and digital painting, art has become more accessible than ever before. There are incredible modern artists out there today producing breathtaking works that continue to challenge the way we think of traditional Japanese art of gorgeous women. These are the sorts of artists I’m going to focus on. I urge you to check out their galleries, follow them on social media, and buy their prints to support them if you can.

While these featured artists are all incredibly versatile and do portraits of women in kimono and modern clothes as well as floral studies and still-lifes, I chose to focus on kimono-clad beauties to keep with the spirit of bijin-ga.

This entry will be long and image-heavy, so please click through to keep reading! Continue reading

Art Gallery – Rilakkuma & Friends


There are a number of Rilakkuma cafés spreading across parts of Asia, and on their coasters is this absolutely charming little drawing of Rilakkuma, Korilakkuma, and Kiiroitori in furisode-style kimono. The first time I saw it, I knew I wanted to make a little drawing based off of it, because it was just too cute. I ended up making this sort of quilted-style illustration and I think it turned out really well.

Now, I realise Rilakkuma is supposedly a boy bear, and putting him in a pink furisode seems a bit odd, but I figured since the original illustration had all three of them in furisode with female-type dressing and accessories, I’d just run with it. I’m glad I did, because this is so adorable it’s kind of making my teeth hurt. I’m quite happy with the end result.

If you’d like a print of this goofy little drawing, you can always click here to buy one from my Society6 shop. You get art, I get a few dollars to help defray the costs of this blog. Everyone wins!

Lastly, a quick note; for the next week or two, I will likely not be changing the mannequin. I’m in the throes of a nasty sciatica flare-up and it’s making it difficult to stand, let alone do something like wrestle with kimono. I’ve got lots of other fun things to share with you all in the meantime, and I appreciate your patience and understanding in advance.