Author: Diane

Purple Rain

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This year is shaping up to be a doozy when it comes to celebrity deaths. When I heard about Prince’s passing, I remembered how cathartic making a coordination in Bowie’s memory was that I figured I would fight through my current health issues and see what I could do. Of course, being in honour of Prince, I had to start with purple. I decided to do a monochrome outfit with a bit of flash and flair. Purple hakama, purple and silver lamé komon, purple shibori haneri, and even the obi (despite nearly being hidden) is entirely purple. I’m not used to monochrome kitsuke, but I have to say, I really like it. It’s a very effective way to showcase patterns and textures, and I think I’m going to attempt it more often.

Now, 2016, do you think you could lay off on taking musical icons from us for a few months? That would be great, thanks. As much as these memorial coordinations help me cope, I’d be perfectly happy not doing another one for a long time.

Items used in this coordination

Quick status update!

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Just wanted to let you guys know that everything is fine, there’s just going to be a short lull in updates. I’m not feeling great, and wrestling with the mannequin is exhausting right now. Nothing serious, just general aches and fatigue.

I’m working on a few reviews, but I’m not sure when those will be ready. Just wanted to let everyone know not to worry that I’m not actively posting, hopefully all will be back to normal in the coming weeks 🙂

Geisha Style Coordination

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It seems like I’ve developed a pattern when it comes to dressing Tsukiko; alternating experimental or non-standard kitsuke with very traditional coordinations. I’d been wanting to do something with the gorgeous geisha hikizuri that Naomi and Erica gave me years ago. The obi is a Taisho-era chuuya from the big obi bundle several of us split a while back. It’s absolutely stunning, but it’s in very fragile shape – the black silk used to line these obi tends to rot much more rapidly than the silk on the front. I repaired one with similar damage a while ago, but I haven’t had the chance to do it to this one yet. Because of this, I wasn’t comfortable wearing it myself, but mannequin kitsuke tends to be a lot more forgiving. I absolutely love how they look together, so soft and desaturated and elegant. I don’t own a momi, so I used a red shigoki obi and obiage to replicate the pop of red under the obi, and pulled out a vintage red juban with a heavily textured collar already attached. I’d initially wanted to tie the obi in yanagi musubi, which is common for performing geisha, but because the obi is so delicate I figured it would be safer to stick with something I know how to tie quickly and easily, so I defaulted to a standard otaiko musubi instead. I think it still looks quite good.

I do wish I could leave this outfit up as a display, but between the fragility of the obi and the cats being fascinated by the trailing hem (and discovering that it makes a spectacular tent), it’s going to to have to be put away quite soon.

Items used in this coordination

Review: Kimono backpacks by Štěpán Hanzlík

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Especially now that I can’t wear kimono on the regular, I’m always on the lookout for ways to inject a bit of wa, or essence of Japanese culture, into my regular wardrobe. I’ll do things like wear haori over western clothing or buy items and accessories in Japanese textiles. So when my friend Štěpán put up some backpacks he’d made with kimono fabric for sale, I jumped at the chance to own one.

These bags are incredibly well-made. I’ve had similar backpack-style drawstring bags in the past (most notably a Sailormoon one that I carried until it quite literally fell apart on me one day), and I’ve never had one as nicely finished as this. Typically, they’re made from one layer of fabric and a string. However, due to the delicate nature of kimono silk, Štěpán has smartly chosen to both line his bags with a heavy twill fabric and reinforce the bottom with coordinating vinyl. This means that the bags are very durable, putting almost no strain on the actual kimono fabric. The drawstrings are anchored through metal grommets that are inserted into the vinyl section, adding further stability and reinforcement.

There is a divider inside the liner, splitting the bag into two very practical pockets. There are also two tiny pockets made from more kimono silk, and they’re perfect for carrying small, frequently-used items like a phone and keys, so you don’t need to go digging around in the bottom of the bag. We’ve all missed a call or two because we couldn’t find a phone in the depths of an over-stuffed bag, right? 😉 I have been using this one for a week now, and while it’s definitely more of an “event” bag than an everyday bag, it absolutely holds up to modern life. I am hoping to buy more of these when I have the budget.

Currently available bags can be found on Štěpán’s facebook page.

I purchased this item myself and chose to review it. If you have a topically appropriate craft, product, or service you would like me to review, please contact me.

To the memory of Opaline Rose

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Yesterday, the Immortal Geisha facebook group was informed of the untimely loss of one of our own. While I was not exceptionally close to her, Opaline Rose was a bright light in the online kimono community. She was also incredibly well-loved in the lolita fashion community, and had a wonderful knack for mixing the two styles and creating something vibrant and original. She always had an encouraging word for anyone trying something new, for anyone uncertain of themselves. I’m shocked and saddened by her passing, as are many other people.

In an attempt to deal with my feelings, I tried to honour her memory with an attempt at wa-lolita, which is the name for a style that melds traditional kimono and modern lolita fashion. Opaline often combined kofurisode with feminine skirts and petticoats to great success. While I’m not sure I accomplished the look, I’d like to think if she’d seen this she would have appreciated it.

À la famille de Marie (Opaline), je vous offre mes sincères condoléances. Elle menait de la joie et la lumière a tous ceux et celles qu’elle touchait.