Tag: sashiko

Kimono-inspired Nails with Maniology Stamping Plates

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Back when I wore kimono regularly, I used to love matching my nails to my outfits. Obviously in recent years that’s gone out the window, but when Maniology released a set of very clearly kimono-inspired stamping plates I knew I had to give them a shot. Nothing wrong with having a fresh set even if they don’t match your outfit, right?

I knew I wanted to make a set that match this blog, so of course I grabbed the Sashiko Stitch plate. I also fell in love with the Draped in Elegance plate that featured a variety of kimono design motifs.

Where possible, I have linked to the polishes I used. However, I’ve been hoarding collecting nail polish nearly as long as I’ve been hoarding collecting kimono so many of these colours are no longer available. In one case the brand doesn’t even exist anymore! I do recommend getting a good white polish if you plan to use it for stamping, especially over dark colours, but the selection for the yuzen-style manicure has a ton of room for interpretation.

Sashiko & Kintsugi Blog Manicure

Plate used:

Maniology M650 – Sashiko Stitch
(plus the asagao from the plate below)

Polishes used:

Navy – Expressie Feel The Hype
White – Maniology Bam! (B170)
Gold – Maniology It’s Lit (B262)

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Golden Yuzen Manicure

Plate used:

Maniology M677 – Draped in Elegance

Polishes used:

Plum base – NARS Tokaido Express
Gold stamping – Maniology It’s Lit (B262)
Red – Nubar Sultry Red
Orange – OPI Totally Tangerine
Green –  Zoya Midori
Blue –  Revlon Blue Siren
Purple – Revel Nails Whirled View
Pink – CND Tutti Frutti

@kimono_tsuki

Kimono nails featuring @hellomaniology stamping plates マニキュア #着物

♬ original sound – Kimono Tsuki 着物月 – Kimono Tsuki 着物月

Other tools & products used:

Medium almond nail tips
Polish stamper and scraper
Nail art liner brushes
Nail stand
Silicone mat

I did standard straight-to-nail stamping for the sashiko manicure, and made my own transfers for the yuzen-style one. If you’re curious I did make a little video of the process for the transfers, but there are plenty of incredible videos out there that explain how to use stamping plates far better than I could. I would suggest starting with Maniology’s own YouTube page, they have tons of clear and helpful videos.

These plates were a dream to use and the stamping polish made things so smooth and intuitive. I’ve tried some very basic stamping in the past and didn’t have nearly as much luck, and this was my first time doing anything layered or complicated, and I can’t get over how well they turned out. If you want to give yourself a manicure to match your favourite kimono, or just bring a little bit of Japan to your fingertips, I highly recommend these! My only regret is that I didn’t buy more of them. I’ll have to snag some other ones from this collection in the future.

If you buy anything from Maniology, you can use my code TSUKI for 10% off!

 I purchased this item myself and chose to review it.This post contains affiliate link(s). If you choose to purchase, I receive a small rebate or commission which goes to the continued maintenance of this site. 

Q is for Quilting

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Quilting, the process of sewing two or more layers of fabric together to make a thicker padded material

 

Q, much like last week’s letter L, is a letter that has no equivalent kana or phoneme in Japanese. Typically, Q-words that are transliterated from other language end up being written with a K-based kana. For example – my last name, Quintal, would become クインタル, or Ku-in-ta-ru. I don’t mind it!

However, it did make finding a topic for today’s entry a little difficult. It took me a while but then it hit me; sashiko is a form of quilting. I thought I’d share a larger project I finished a while back. It’s a beautiful pattern, a collage of kamon, or family crests, designed by Susan Briscoe.

I haven’t gotten around to edging it yet but it will eventually be a wall-hanging, possibly double-sided. I haven’t figured out the details yet. I love sashiko stitching because it’s technically such a simple thing, but the results are so striking, especially when it’s done with white thread on dark indigo fabric like this. I love that it’s often used as a very practical, utilitarian handicraft, reinforcing fabric and adding weight and heft for warmth. And yet, it’s so beautifully decorative!

If you’re interested in doing this panel yourself, it’s available directly from the artist who designed it, Susan Briscoe.

Baby’s First Sashiko

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Growing up, all the women in my family did (and still do) some sort of textile-based crafting. Needlepoint, embroidery, knitting, crochet; you name it, my mother, aunt, cousins, grandmothers, etc, were probably skilled in it. I’ve done some needlepoint in my life, but generally I’ve never had the knack for this sort of thing… until now!

My friend Carol (of KimonoMomo on Etsy and the Ardent Thread blog) recently set up a crowdfunding project to help fund a trip to Japan to meet with textile artisans and as a thank-you for contributing, she sent me this nifty sashiko kit. Included was a large piece of rough indigo, two pieces of beautiful quilting cotton with parasols, and three skeins of coordinating thread. What I loved about this project was that theres’s no “right” or “wrong” way to do it. It inspires a great deal of creativity and freedom, which is what I think was missing from my previous attempts at any sort of needlepoint craft.

When I opened the package, I knew I wanted to feature the parasols centrally, so I cut a few of them out of the fabric and appliquéd them onto the indigo fabric. I spent some time looking up different styles of sashiko stitching and then decided that I would fill the background with “clouds” of differing stitches and colours. Initially I was going to do each segment in a different pattern but I worried it might look too busy and stuck to two – one following the print on the base fabric, and one of seigaiha (waves). I loved how organically the whole thing came together, and whenever something didn’t quite work out I could simply undo it and try something else. I also chose to accent the ferrule of each parasol with a little pink quartz, and threw a few other random beads into the background to add a little texture and interest.

 

Overall, I am utterly thrilled with how my first sashiko project came together. It was very relaxing, challenging enough to keep my interest without being frustrating, and the end results are totally unique. I think they’ll make beautiful gifts full of love and meaning, and they’re very soothing to do. I’m certain this won’t be my last one! If you’re looking to get into sashiko yourself, Carol’s Etsy shop has a fantastic selection of needles, threads and fabrics, as well as a wealth of knowledge to share.

I received this item as a backer perk for a project or product that was crowd-funded (Kickstarter, IndieGoGo, etc)