Green on cream hakata hanhaba

This is one of those lessons that reminds me that auction photos can be very inaccurate. Don’t get me wrong, it’s a lovely obi, a nice crisp hakata in a forest green on cream, but in the auction photos it looked very pink. I fell in love with the idea of green on pink. Thankfully I only paid a penny plus shipping for it, and I am sure I will find a good use for it, but it was a reminder not to get too excited or attached to things until they’re actually in your hands.

Green-on-white hakata hanhaba

Green-on-white hakata hanhaba

Vintage pink ume komon outfit

With all the new things I’ve been buying lately, a lot of older pieces I never had the opportunity to wear have been sitting around neglected. Today I decided to remedy that, and discovered (much to my dismay) that I’ve gained so much weight lately due to sloth and massive water retention that a lot of these things just don’t fit me very well anymore. In this case, my loss is Naomi‘s gain, I know she loves this piece and it will definitely fit her better, so into the giveaway pile it goes.

That being said, I’m glad I managed to wear it for a few photos at least, because it’s such an incredibly fun and gorgeous piece. There’s a tiny bit of green accent on the plum branches, so I decided to emphasize that with a green hakata obi, green haneri, and some new geta with sexy green hanao.

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I also dressed a little unconventionally today – it was my first time using an eri-sugata (easy collar) and a susuyoke (half skirt) rather than a full juban. It worked really well because the kimono was so snug, the bulk of the juban was making it impossible to fit. I also love how easy it is to get the collar of the eri-sugata nice and low! It’s sort of sad that I know I’ll never be able to wear this kimono out, but I’m glad I finally got off my butt and put it on, and I’m glad it’s going to someone who will be able to wear it.

New green cotton blend hakata hanhaba

With an apology to my neighbours! Somehow this ended up at the right numeric address, but on the wrong street. They were kind enough to bring it over to me.

As I’ve mentioned before, I am a sucker for all things hakata, especially in uncommon colour combinations.  This is not technically true hakata, rather than being a tightly woven silk it’s a rough slubbed cotton-silk blend with the “hakata” pattern loosely woven on top, but I still love the pattern. The colours in the auction photos made the item out to be a soft, dusty sage green. I was pretty shocked when I opened up the package and found a vivid apple green colour instead, but also really happy. It’s a great colour, and will go very well with a lot of my things. The best part, however, of this obi, has to be the price. I got it for one penny!

Green hakata hanhaba

Green hakata hanhaba

I already have a few coordinations in mind, I just need time and weather to cooperate.

Tsuke-obi – cheat or genius?

Sorry for the lack of updates! Sometime between Christmas and Boxing day I received the heartwarming and thoughtful gift of gastroenteritis. I’m starting to feel better, but still don’t have a lot of energy for kitsuke. Since I’ve acquired a few new ones lately, I thought it would be a good time to discuss tsuke-obi, or pre-tied obi.

There are a few camps when it comes to tsuke-obi. Some people are staunchly against them in any situation, some people have to rely on them because they’re not confident enough yet, and some, like myself, think that well-made ones have their place in any decent kimono wardrobe. They’re a godsend when you’re not feeling well and don’t have the energy to deal with an obi, or if you need to dress a bunch of people in a hurry. They’re useful for fancy furisode musubi that would otherwise require two people to tie. They’re also great for dressing people who don’t have a lot of experience wearing kimono, since they don’t need to be tied as tightly as a “real” obi would be.

Some of them definitely look cheap and are obviously pre-tied. The brightly coloured polyester types with a large butterfly bow that often come with yukata sets are a prime example of these. Except in the direst of situations, I’d never recommend going out and getting one of those, because nothing says “I can’t be bothered!” more than one. Especially if worn with anything dressier than a yukata! However, there are definitely nicer examples. Often times they’re made with solid old obi that have been damaged, or were owned and loved by someone who may have gotten too old to tie her obi efficiently. Some of them are also mass-manufactured, but in a way as to look more like “real” obi. They come in several different musubi, or bows, such as otaiko, niijudaiko, and some larger and more elaborate ones for furisode. Often times, once these are tied on properly and an obiage and obijime added, it’s virtually impossible to tell they are pre-tied. I’ve got a few of them, and two of them are probably some of my favourite obi in my collection.

Pente Lobster obi
Pente Lobster Tsuke-obi
Pente Lobster Tsuke-obi

This is such a stunning piece. I found it on eBay right before the holidays and my folks encouraged me to go ahead and get it and it would be a gift from them. I’m so thrilled. I’ve mentioned my fondness for lobster motif before, and this is not my first lobster obi, but it felt different enough from the one I had that I felt fully justified in buying it.

Pente is an interesting and relatively uncommon technique – it’s a thin layer of paint daubed onto the surface of usually solid black silk. It was popular after WWII when there were a lot of damaged pieces floating about and people generally didn’t have huge budgets for fancy embroidery techniques or high-end dye methods. It was also used to re-work mofuku (funerary wear) into something more useful for everyday, stretching the wardrobe budget further. Unfortunately, due to the nature of most paint, it’s incredibly fragile. It sits on the surface of the garment rather than sinking in, and decades of tugging and pulling on the obi while it’s being tied leaves most vintage pente obi in states of disrepair, paint flaking off or peeling in huge chunks. Because of this I generally avoid anything pente, but because this was a tsuke-obi there was virtually no stress on the paint and it’s in flawless condition.

One of the other interesting and relatively unique things about this particular obi is the way it’s tied. Like most pre-tied obi, it’s in a standard otaiko musubi, but unlike more mass-market ones, it’s tied on a quirky, jaunty angle. This really helps make it look like a “real” obi, and definitely gives it a lot more personality than a perfectly level one.

Black and white hakata obi
hakata
hakata-2
I make no secret of my ridiculous love affair with all things hakata, but somehow I’d never managed to acquire a standard black and white weave. When I found this one I fully expected it to go for more than I was willing to spend, but I figured I’d throw out a bid and see what happened. Imagine my shock when nobody else bid! This is another variation of an easy obi, it’s not really pre-tied, just separated into a narrow waist bit and a wider bit to tie the actual drum with. It requires a bit more time and effort than a fully tied one, but also allows for more leeway in tying.

Cream tsuke-obi with navy, ruby, and silver foliage
White Tsuke-Obi
This is the first tsuke-obi I purchased, and was really the one that made me a convert. It’s a heavy almost silk blend that almost feels like parchment or canvas. The majority of the vines and leaves are dyed, but the red and silver ones, and a small selection of the navy ones, are embroidered over top, which adds a depth you don’t usually see in mass-market pre-tied obi.

Red synthetic with black flocked irises
Red Tsuke-Obi
This one is a synthetic, washable faux-tsumugi in a bright fire-engine red. It also has the strangest inflatable obi-makura (obi-pillow) sewn into it. I bought it mainly because of the flocking, which I loved, but it’s become a mainstay for a quick hit of colour.

Geisha-inspired Meta-kimono outfit

I was so smitten with the kimono that arrived yesterday that I decided to put it on today, despite not having anywhere to go. Sometimes it’s nice to wear kimono just for the sake of wearing kimono – especially delicate vintage pieces.

There’s still a bit of ambiguity about what this piece actually is, but the general consensus on the Immortal Geisha forums is that it’s likely a vintage hikizuri. Because of that, I decided to go with a geisha-inspired outfit. Not a full on costume, but proper kimono with a bit of “flair”, if you will. I paired the kimono up with a red juban, a black and white hakata obi, and used a red shigoki obi in lieu of a momi (the red cloth geisha wear wrapped around their torso under the obi). I am really pleased with how this pulled together, and took far more photos than I usually do. Sorry about that!

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Because of the formality, the styling choices, and the age of the kimono, this is not an outfit I’d feel particularly comfortable wearing out of the house, but I think it turned out well and I felt very pretty in it.