In which I am yet again treated far too kindly by my friends and family on the Immortal Geisha forums.
BikaBika is an awesome forum member with a great sense of personal style, and she is also an afficionado of the Stations of the Tokaido motif. We’re generally careful not to step on each others’ toes when we see items, which is just another sign of the sense of community the forum has in general.
Several people brought this particular kimono to my attention, but I’ve spent a lot more than I should lately, and I thought it was a bit narrow for my fatty hips. After a fair bit of deliberation I decided to let it go. Fast forward a few weeks and BikaBika has dropped hints that she’s mailed something to me, but I honestly just assumed it was a little accessory or something. Unfortunately, Canada Post went on strike right around this time, so the package fell into a kind of dispatch limbo. While I didn’t outright forget about it, I shunted it into the back of my mind so I wouldn’t stress too much about it potentially getting lost. So I was pretty surprised and confused when the mailman brought me a package I wasn’t really expecting yesterday morning.
Needless to say, when I got it out of the package I was stunned, and very touched. There was a note included that mentioned she’d gotten my address from Suara, who sent me the stunning Tokaido obi a while back, with strict orders to wear them together. I ran downstairs to thank BikaBika and to photograph it. Unfortunately it’s too hot even for yukata right now, so there’s no way I’ll be able to dress in a full formal outfit for a while yet. Thankfully, nothing’s stopping me from sharing photos of the stunning artistry of this piece though.
It’s a soft dove-grey with three distinct stations repeated around the hem. It’s sort of a strange merge of tsukesage, with the stations each being distinct and on a separate panel, and houmongi, since while the designs are discrete from a distance they form a continuous design around the bottom hem. There is also a single blue tsuta (ivy) crest, which helps merge the formality upwards from tsukesage to houmongi.
The other two stations are both repeated on the back hem and the sleeve, both in front and back.
And this is the interesting one Bika helped me figure out, it’s a loose artistic interpretation of Station 52, Otsu, but what threw me off is that while most of these pieces are done using the Hoeido edition, this particular variation is from the Kyoka edition, which is much less common.
Yet again, I am flabbergasted at the kindness of others, and in awe of how it always seems to come when I need a pick-me-up.