Shape and Colour Ikebana

I bought this set of bud vases at everyone’s favourite enormous Scandinavian home goods store a while ago, with the intention of doing something with them, but I hadn’t decided on what. When I found a rose that was a very pale celadon green while out running errands today, I knew I’d found my project. I loved the idea of focusing on shape and colour here, and having three very balanced separate units forming one cohesive and harmonious grouping. I did debate using three different flowers to coordinate with the three different textures of vases, but in the end I felt that using the classic and neutral shape of the roses had the most impact. Thankfully, finding the pink and white ones was a breeze after the stroke of luck that was finding a greenish tinted one (I will be honest, I have no idea if it’s natural or if it was dyed for the florist’s, but either way it worked out quite well for me!) I think the soft, organic roses contrast the tactile and architectural quality of the vases perfectly, and the seeing the three of them together is like hearing three distinct notes coming together in one lovely chord. I arranged them simply on a dark surface to ensure all attention was on them without any background distractions, and I love the way they pop, pop, pop!

Merida – Disney Princess Kitsuke Project

🎵 Chase the Wind
and Touch The Sky 🎵

We’ve done a Renaissance-era princess and a Silver-era princess so it felt like it was time for one of the modern revival princesses. Merida is one of my favourite princesses. She’s snarky, she’s witty, she’s tough but still vulnerable, and she’s determined to be the architect of her own fate. I found a few kimono online that were close in colour to her dress, but nothing really jumped out at me until I found this utterly perfect vintage piece. Not only is the base of it nearly the identical colour to Merida’s dress, but the yabane, or arrow fletching, motif could not have been more appropriate.

I debated using a brown obi to echo her brown belt but it made the whole outfit feel too heavy and overly mature. Instead, I went with a plain white hakata tied in a very practical karuta musubi, and amped up the warm brown tones in the obijime and dusty embroidered haneri. The bow was my grandmother’s, and I have fond memories of learning to shoot with it as a kid. Using it was pretty much a given. In the interest of full disclosure, I will admit that it’s actually a bright candy-apple red, but that’s nothing a little bit of photoshop couldn’t fix.

I really feel like this project is just continuing to build momentum, and I couldn’t be happier! It’s really satisfying to watch these come together. Maybe one day I’ll try to coordinate a fashion show or something and see them all at once.

Items used in this coordination

Fresh Green Ikebana

The rainy season is here, so of course it’s time for a lush ajisai (hydrangea) ikebana.

I actually did this one while I was in California last month; I’d had the bamboo-shaped vessel mailed to my friend there to save on shipping costs. I actually found the hydrangea while we were grocery shopping. I loved the refreshing pale green colour and the dense texture of the blooms, and thought they would be an excellent contrast to the stark white of the vase. I stuck to one plant material for this one to emphasise texture, contrast, and simplicity. It feels well-balanced and evokes a cool feeling to counter-act the summer heat and humidity. I do like the restraint of one type of plant material and suspect I will do more arrangements focusing on one type flower at a time.

However, I’m not sure this was as successful as I’d like it to have been because from a distance I think it looks like a bunch of cauliflower! I will have to try something different with this vase in the future.

Pretty Pastels

It’s hot out there, you guys. It’s so hot! I really needed to make an outfit that felt summery and breezy to counteract the oppressive weather. If you follow me on Instagram, you may have seen this adorable card-suit obi that followed me home from California. It seemed like a good place to start. Even before I’d brought it home, I was thinking it would work well with this hydrangea hitoe komon I’ve had for years that never gets enough love. It’s way too tiny for me to ever wear, and I admittedly only bought it because it was bundled with an obi I wanted, but the light colour palette and seasonality of motif fit perfectly with the breezy summer concept I was aiming for.

This adorable shell haneri from Kansai_Gal seemed like the ideal finishing touch for the outfit. Rather than default to my usual standbys for a hanhaba obi (chocho musubi or karuta musubi) I thought I might try to be inspired by Choko and her amazing ability to improvise soft and relaxed-looking obi musubi that would also fit with the airy and relaxed style I was aiming for. I would like to think I’ve succeeded.

A few of us here in Montreal are having a kimono meet-up  this coming weekend and I do wish there was some way I could get this kimono to fit me, but even if I were to lose a huge amount of weight it would still be too narrow across the back and too short, sadly. It would look so cute with pink lace tabi and my card-suit geta, but that’s a coordination for another person on another day. I will likely end up wearing my bunny komon and teal hakama, and you can be sure I will take tons of photos so check back early next week for that.

Items used in this coordination

Odori Otoko-Poi

I bought this dance kimono on a whim a while back, because I loved the graphic quality of it. The seller had listed it as a woman’s kimono but I was fairly certain it was actually a men’s dance piece. My suspicions were confirmed when it arrived. I don’t hold it against the seller, they list tons of items every single day and I’m sure it was an honest mistake. I was still very happy because it’s so fun and bold. I knew I wanted to do an otoko-poi or tomboyish look with it, and I wanted to keep the colour scheme really simple, so I pulled out my tenga obi with a gold side and stuck to black accessories. I would have preferred an all-black or monochrome haneri but since I don’t own one I thought the pink flowers on this one were neutral enough for the time being.

This is my first men’s kimono and I was actually quite surprised by how different putting it on was. I’m so used to slack in the collar, the extra length and ohashori, and the open sleeves that this was much more of a challenge than I’d initially anticipated. Despite that, eventually I’d like to try to wear this outfit, but I’d like a paler gold obi and a solid black collar first. I am curious to see if wearing a men’s kimono feels as different as using it on the mannequin did.

By the way, I am still on vacation, I just took these photos before I left so there wouldn’t be too huge a content gap while I was out of town 🙂 I’ve got a few more things in the works, but this will be the last mannequin coordination until I get home. Thanks for understanding! ❤

Items used in this coordination