Armed & Dangerous

The mannequin, I mean. Not me! She’s still not perfect, but we managed to make her arms work for the time being. After all the fuss and bother on Saturday, I figured that since she had arms now, I should probably work on getting her dressed. I thought that to get myself out of the funk, I’d try to redo one of my favourite old outfits featuring one of my most prized kimono. Unfortunately, it’s basically unwearable now due to the sleeves detaching and a lot of the gold embroidery lifting off the silk, but gently draping it on the mannequin is safe enough.

Rather than use the same old hakata obi I used last time, I decided to see what I could do with the tsuke darari obi I got over the summer. I think I managed to disguise it quite well and I totally love how they tied together. This green and gold date-eri really looks like it belongs with this obi, doesn’t it? Red accessories finished things off and pulled out some of the warmer tones from the kimono. I had fun with the obijime too. I love playing with the multiple thin ends on some of these fancy furisode obijime.

It may have been a struggle, but I’m glad I pushed through because the end result is so beautiful. I will, however, be looking for someone to repair this kimono. At the very least, the sleeves need to be re-attached properly and the gold couching needs to be fixed where it’s coming off.

Items used in this coordination

Memories of Summer

It’s snowing today. Again. We had a blizzard on Monday. It’s been frigid enough lately that there’s been warnings to stay indoors. I live in Quebc, I expect winter to be unpleasant. But this winter hasn’t just been unpleasant, it’s been brutal. So I thought I’d do my best to remind myself that summer will be here eventually!

I bought this gorgeous usumono (summer weight) vintage komon at the kimono bazaar back in November and initially had no plans to do anything with it until it was more seasonally appropriate. But I really needed a breath of warm summer air, and decided to feature it.

I love the colour of this piece; it’s a shade of plum that’s somehow rich but muted all at once. And the art-deco feeling birds on it are utterly charming. It’s tiny and will never fit me, but it was incredibly affordable for its age and fragility, and I loved it too much to pass it by.

Typically, I don’t bother putting a juban on the mannequin. She doesn’t sweat so I don’t need a layer to protect the kimono, she doesn’t move so I don’t need the security of it, and she doesn’t need any further padding or smoothing, so usually it’s not necessary. However, this kimono is so sheer that it would have looked odd and shapeless, and I’ve been wanting to feature this ridiculously adorable shrimp juban Naomi gave me for a while now. It’s technically too heavy for the weight of the kimono, but I love how the colours work together and thematically I like the idea of birds swooping over the cool, breezy ocean and diving in to catch the shrimp!

I used my white ro hakata obi, partially because it looks refreshing against the purple and partially because it’s the only summer weight obi I own. Pale purple summer weight accessories and a cool white ro haneri tie it all together.

It may be completely disgusting and frigid and messy outside, but it’s good to look back on happy memories of summer.

Items used in this coordination

Outfit Generator Experiment

A few months back, I coded up a little script to generate some kimono coordination ideas. If you click that link you can play with it as well! I thought it would be fun to use it myself, since I was feeling motivated to play with kimono but wasn’t getting that strike of inspiration I usually start with.

This is the combination I got, so I got to work. Purple iromuji was straightforward enough, since I only have the one. It’s not quite Taisho but it is lined with red and has elegantly long sleeves, so it felt sufficiently vintage to me. All I had to do after that was work on creating an outfit around it.

My original plan was to use this bright turquoise nagoya obi, but against the purple it definitely felt more bold and youthful than “Elegant”. But then I remembered a conversation I had with a friend about how gingko are one of my favourite ornamental trees ever and yet I only have one item with them as a motif, and even then it’s a very small, subtle part.

It seemed like the universe was telling me to use that particular obi. It’s fairly modern, but something about the designs and colour palette feel timeless, and the hints of purple in it play very well with the purple kimono. I pulled accessories out of the obi’s colour selection and finally found an opportunity to use this new haneri.

Everything really came together well, I think. I managed to stick quite close to the suggestions the generator threw at me, and the outfit still feels totally wearable, not costumey or ridiculous. I think whenever I’m feeling uninspired, I’ll use the generator again and see what happens. If you use it, I’d love to see what you come up with!

Items used in this coordination

Shishi Overload!

This kimono is eventually going to live with Naomi, since it’s got some of her favourite motifs and colours and will never, ever fit me, but I really wanted to have a little more fun with it before I sent it off to its new home.

Typically overloading on the same motif in the kimono and the obi isn’t ideal, but when has that sort of thing ever stopped me? I just wanted to do a full-on shishi overload! Despite the obi’s neutral black base, I wasn’t sure if they’d work together, but think the almost shocking contrast of the blue-and-red accessories managed to bring cohesion to the outfit.

I was also reminded how ridiculously short this obi is when I pulled a muscle in my back trying to tie it. I have skills, you guys. I had the same issues with it while doing the Gryffindor outfit, but I conveniently forgot about all that. One day I’ll likely end up turning it into a tsuke-obi to make it less of a pain (literally) in the future, but at least I got it to look the way I wanted it in the meantime.

#monoKimono Challenge – Warm Brown

If I’m being completely honest, when I embarked on the #monokimono challenge I had no real plans to do a brown coordination. Brown felt so blah and boring to me. And then I ended up with this stunning warm brown Taisho-era houmongi and all that changed. I’ve coordinated it three or four times already this year and here I am, doing it again. It’s just so pretty and soft.

My plan was intially to use my brown iromuji as a sort of dounuki, an extra inner layer. But the colours are so identical it didn’t really add anything visually, and the sleeves are so much shorter that it looked odd, so I just scrapped that plan. I’d never used this particular obi before and thought it would be a good time to feature it, since it’s got the same subdued, dusty feeling as the kimono and the brown tones are an excellent match. What I didn’t realise, however, is that it’s a hikinuki obi. Hikinuki obi are meant to be tied in a different way and the pattern on the drum is upside-down. Normally they’re much bolder designs, since they’re often used for quick changes by stage performers. This is by far the most “boring” hikinuki I’ve ever seen. I did manage to get it tied with the design the right way up though! It just took a little more fussing than I’m used to. A few more brown accessories finished things off. I only have one brown-based haneri and it’s much more modern and bold in feeling and looked out of place, so I went with basic white.

Only one month of monochrome kimono to go, and a much bolder outfit inn the works for December.

Items used in this coordination