I bought this set of bud vases at everyone’s favourite enormous Scandinavian home goods store a while ago, with the intention of doing something with them, but I hadn’t decided on what. When I found a rose that was a very pale celadon green while out running errands today, I knew I’d found my project. I loved the idea of focusing on shape and colour here, and having three very balanced separate units forming one cohesive and harmonious grouping. I did debate using three different flowers to coordinate with the three different textures of vases, but in the end I felt that using the classic and neutral shape of the roses had the most impact. Thankfully, finding the pink and white ones was a breeze after the stroke of luck that was finding a greenish tinted one (I will be honest, I have no idea if it’s natural or if it was dyed for the florist’s, but either way it worked out quite well for me!) I think the soft, organic roses contrast the tactile and architectural quality of the vases perfectly, and the seeing the three of them together is like hearing three distinct notes coming together in one lovely chord. I arranged them simply on a dark surface to ensure all attention was on them without any background distractions, and I love the way they pop, pop, pop!
🎵 A Dream is a Wish Your Heart Makes 🎵
I started this project with a modern princess, so a classic one seemed like a good place to go next. Cinderella is pretty much the quintessential Disney Princess – she’s kind, clever, determined, and beautiful. Her castle is the centrepiece of several Disney parks and serves as the opening sting for their movies. So I knew I had to do her justice!
I bought this kimono last month at Kimono Vintage Montreal, and I didn’t specifically have Cinderella in mind when I did, I just fell in love it with. I realised after bringing it home that it was a very appropriate shade of blue and had a definite princess vibe to it. While there is no pink in her official outfit, her mother’s dress she plans to wear to the ball initially is pink, and I really liked the idea of calling back to that in a subtle way. The obi has heian noble carts, reminiscent of her pumpkin carriage. Admittedly they’re not one of my favourite motifs but this one was a steal at $5 and fit the theme so well I couldn’t say no after a friend suggested it. I tied it in an improvised bow reminiscent of a fukura suzume to keep the balance between feeling sweet and princess-ish while still showing off the carts.
In a perfect world, this coordination would be paired up with some of Robe Japonica’s incredible acrylic geta to emulate Cinderella’s infamous glass slippers. However, they’re only available in men’s styles and they’re very expensive, so for the time being silver zori and a slipper obidome I made will have to suffice. A bit of black ribbon finished things off nicely, echoing Cinderella’s black choker.
So far, things are turning out very well in this project, I think. I hope I keep up this momentum and success throughout the entire thing!
It’s hot out there, you guys. It’s so hot! I really needed to make an outfit that felt summery and breezy to counteract the oppressive weather. If you follow me on Instagram, you may have seen this adorable card-suit obi that followed me home from California. It seemed like a good place to start. Even before I’d brought it home, I was thinking it would work well with this hydrangea hitoe komon I’ve had for years that never gets enough love. It’s way too tiny for me to ever wear, and I admittedly only bought it because it was bundled with an obi I wanted, but the light colour palette and seasonality of motif fit perfectly with the breezy summer concept I was aiming for.
This adorable shell haneri from Kansai_Gal seemed like the ideal finishing touch for the outfit. Rather than default to my usual standbys for a hanhaba obi (chocho musubi or karuta musubi) I thought I might try to be inspired by Choko and her amazing ability to improvise soft and relaxed-looking obi musubi that would also fit with the airy and relaxed style I was aiming for. I would like to think I’ve succeeded.
A few of us here in Montreal are having a kimono meet-up this coming weekend and I do wish there was some way I could get this kimono to fit me, but even if I were to lose a huge amount of weight it would still be too narrow across the back and too short, sadly. It would look so cute with pink lace tabi and my card-suit geta, but that’s a coordination for another person on another day. I will likely end up wearing my bunny komon and teal hakama, and you can be sure I will take tons of photos so check back early next week for that.
Today is going much smoother than yesterday did, so I thought I would attempt the soft, girly coordination I had in mind for Hina-matsuri. I chose this beautiful pink takara houmongi that my good friend (and Naomi’s charming husband!) Arian bought for me ages ago. It’s one of the softest, most demure kimono I own and it felt right for this outfit.
As much fun as I have been having lately with hime-style and non-traditional kitsuke, I was in the mood to make a very “normal” outfit this time, so I pulled out coordinating pastel accessories and this lovely but painfully soft gold fukuro obi. I attempted a tsunodashi musubi, but it’s so floppy it looks a little deflated, unfortunately. Overall though, I very much achieved the aesthetic I wanted!
If you’re a regular reader of my blog, you’ve technically already seen this particular kimono, when I wore it out to the park (and then subsequently dinner, but I did not take photos of that) a few weeks back. I finally had some time to take proper catalogue photographs, and it’s a piece that really needs to be appreciated in detail.
The kimono is a subtle pastel gradient. I honestly did not even notice the gentle lavender at the shoulders until I hung it up to take the reference photos. The gold is also really soft and gentle. I don’t typically like large areas of gold leaf on a kimono, but on this one it’s not in-your-face.
However, the real magic is the embroidery on the front panels. I was informed that they are shifuku, or silk pouches used to protect items used during tea ceremony. The embroidery is done entirely in french knots, a technique known as saraga nui. I cannot imagine the time, patience, and skill required to do this.
The most special shifuku in my eyes is by far the one with the adorable white rabbit on it. It’s the sole reason I bought the kimono. He’s just so charming and quirky, on what is otherwise a very subdued and mature kimono.