It feels like sometimes I get so caught up in my kitsuke experimentation, be it kimono-as-costumes, turning a kimono into a ballgown, steampunk hime-styles, or one of the other multitudes of things I’ve done lately, that I forget about the timeless simplicity that drew me to kimono in the first place. So for this outfit, I decided to go in a very clean and traditional direction that’s all about the little details. I paired up my sagara embroidery tsukesage with an obi I got in the infamous obi bundle and hadn’t used yet. Accessories were plain and classic, a casual obijime that reflects the colour of the kimono and an obiage that adds a little bit of sweetness while still being quiet and discreet. This obi’s motif placement is very strange, and I had to cheat a fair bit while tying it, but isn’t that what mannequins are for? 😉
I doubt I’ll be reaching for this obi again any time soon, which is a shame because the soft embroidered details on it are so pretty. It’s just too much of a nuisance. But I very am glad I decided to drag these two pieces out of storage and do something with them. I’m working on a bunch of new stuff behind the scenes, so this may be the last outfit post for a few weeks. I’m glad it’s one I’m proud to leave on the mannequin.
One of the great things about iromuji is how they can allow you to really focus attention on something other than the kimono itself. They make a great neutral canvas for a really bright or busy obi. I decided for this week’s entry that I’d do a really high-contrast coordination with a lot of “punch” to it, and this obi was the perfect place to start. It’s a very special obi; I received it anonymously from some lovely person online. I suspect their intent was to have me coordinate it with my Shah Mosque houmongi, but in the end the styles and colours were too different and I could never get them to work together. This kimono, however, is ideal. It’s a similar background colour to the houmongi and the orange-red of the obi really pops against it, but it doesn’t compete with the pattern on the obi itself. It’s a wonderfully neutral foil for the gorgeous obi, and the colours couldn’t work better together if they’d been made to go together. I’d initially thought of using a third bright colour (yellow or pink) for the obiage and obijime but then I remembered these pieces, and everything just clicked.
We’ve also got a special guest photobomber today! Those of you who are longtime readers have probably seen Vinnie before. He usually avoids the mannequin but today he decided he wanted to be the star of the show.
I hope you’re enjoying seeing these posts as much as I’m enjoying doing them! We’ve got one left, and then it’s time to focus on newer things.
One Kimono Four Ways
I actually received this on Monday but was hesitant to post it, not wanting to seem callous. I’ve permanently added the list of donation resources to the top of the page, and I also realized that one of the healthiest things for people to do, especially people like myself who are panicking needlessly, is to try to live a normal life. Furthermore, the motif of this particular piece seemed exceptionally timely. Paper cranes are often viewed as symbols of good luck and hope, and in Japan there is a tradition known as Senbazuru, or A Thousand Paper Cranes. The belief is that anyone who folds a thousand paper cranes will have a wish granted to them. They are often made to encourage long and happy weddings, or given to people suffering from illnesses and hoping for a cure. I cannot think of a more fitting motif to add to my collection right now.
I’ve wanted something with orizuru (which is the name for paper cranes, ori– folding, and tsuru– crane) for a very long time, and actually bid on an obi exactly like this a while back, but it skyrocketed out of my budget. When I saw another one come up for auction again I kept an eye on it but didn’t get my hopes up. However, the seller who’d put it up has been having some techincal/communication problems and I guess people were hesitant to bid, because I picked it up for a song.
It’s so nice in person, for synthetic it’s really thick and soft, not slippery like a lot of modern obi can be, and the areas with the cranes are edged in a thin line of gold thread, which really makes them pop.
Recently, I won a kimono from Yahoo Japan with a mosque around the hem. It hasn’t arrived yet, so I don’t have photos, but it’s absolutely unique and stunning. When I posted about it on the Immortal Geisha forums I got a lot of questions and suggestions about coordination. Several people actually found the same obi on eBay, a deep rusty reddish orange with blue archways on it that had similar Middle-eastern style ornamentation on them. Technically it’s a little casual for the kimono but thematically it would have been perfect. Unfortunately, I’d pretty much blown my budget for a while on the kimono itself, so I had to pass it up.
I should also mention that around the 2010 Holiday season, I organized a gift swap on the forums. Since I was the one arranging it, I wasn’t technically able to participate. In the end I did get a lovely gift from one of the members, due to my own disorganization – I’d accidentally left her out of the swap so I sent her things from my own collection and she graciously sent me a package of lovely handmade things in return.
Fast forward to this morning, when my father informs me that I got “a ton of mail”. I am expecting a few things so I wasn’t terribly perplexed, but when I started opening the package I had no idea what it was. I was worried maybe one of the sellers had mixed up my order, until a note fell out of the package.
Moony, thank you for the work you put into the ImmortalGeisha forums, especially the Winter Swap. You didn’t participate, but here is your surprise gift!
There was no name and no signature, and since several people brought the obi to my attention I really have no idea who sent it! I did make a post on the forums thanking whoever it was and explaining that in the end I did get a package though. ~.~;; In any case, it’s stunning and very appreciated, and will be cherished. I can’t wait for the kimono to arrive so I can put them on together.
If you’re anything of a regular reader, you’ll know of my fondness for items with the 53 Stations of the Tokaido motif. I also love the colour red. So when I saw this online, I clearly had to go for it!
I like it because it’s simple and vibrant, and also has two stations I did not have yet on obi. I had Nihonbashi on a fan, but I like having them on wearable pieces better. I also find it interesting that the other station, Kanagawa, is from Aritaya, one of the “other” editions of the prints (the standard one used for this sort of thing being the Hoeido edition).
Start point, Nihonbashi Bridge
Station 4, Kanagawa (Aritaya edition)