I said I’d be trying to do at least one ikebana arrangement per month, but that was the bare minimum. I was inspired to do a second before April ends.
I wanted this one to feel much more natural and organic, a bit like a rock garden at the edge of a pond. I found the beautiful white and purple ranunculus first, and then found the smaller filler flowers in the exact same colour scheme and knew I wanted to experiment with texture and repetition instead of the more traditional shin/soe/hikae structure of a more vertical arrangement. The roundness of the glass vessel echoes the rocks and the shape of the flowers, and and the colours repeat each other which gives the whole piece a feeling of cohesiveness. This has a very different feel from the last one, which makes me feel very happy. I can’t wait for the next strike of inspiration to hit me!
For this week’s outfit featuring my mint iromuji, I wanted a big departure from the very standard coordination from last week. This adorable kitty haneri is a very deep rich teal, and it struck me that I had a bunch of similar items in various shades of the same colour. I think pairing the iromuji up with them and using cooler lighting than last week’s photo really drives home the point that I was trying to make, that one kimono can look incredibly different with different accessories, and in different situations. Surrounded by the cool tones of the haneri, obi, and hakama the kimono itself leans much more towards the blue side of things than it did against the gold and lavender of last week.
So far, I think this experiment is going swimmingly! I look forward to seeing what else I can do with this piece.
One Kimono Four Ways
I’ve had this 53 Stations of the Tokaido tsukesage for a long time now. I’ve never worn it myself, but I did put it on my friend Frances one day. The obi, by comparison, was an absolute impulse purchase a few weeks ago – I was buying another item from the seller and this was only $10 so I couldn’t say no! Especially since it’s a lovely stylisation of Station 49 – Saka-no-shita, which is a station I don’t have on any items in my collection yet. For the price, its absolutely gorgeous. The bulk of the design is woven in, and then touches are pulled out with beautifully lush embroidery to add depth and texture. It’s a bit slippery to tie, but definitely not the most challenging obi I’ve had to work with.
Generally the rules of kitsuke say not to match the motif on your kimono to the motif on your obi, and to contrast the colour of one against the other. However, when I saw these two pieces next to each other, my mind drifted back to my first experiment in very monochrome and matchy outfits, and I wanted to give it another shot. Rules are an excellent starting point, but sometimes breaking them with forethought and intention can produce some amazing results.
I’ve always loved the peachy pink sunset accents on the kimono and decided to make them pop with the accessories. I feel like this resulted in an overall very calm and serene outfit with a bit of punch, and I love it!
I do apologise for the quality of the photos today; my camera was being difficult so I used my mobile phone camera. It worked, but it’s not ideal. However, I make no apologies for the utterly terrible word-play in the title.
Typically, the rule of thumb for obi/kimono coordination is to choose contrasting colours and motifs. You want the two pieces to pop against each other and then be tied together with accessories. However, monochrome (or nearly monochrome) outfits are becoming more of a trend.
I found this plum tsukesage online and thought it would be a perfect match for the obi I already owned. While under the questionable influence of migraine medication I asked the lovely folks of the Immortal Geisha facebook group if I should go for it, and was actively and heartily encouraged. I tossed out an offer and promptly forgot about the whole thing. Imagine my surprise a week later when I got a shipping notice!
All that being said, I am completely and utterly thrilled with how well these two pieces suit each other. Not only are the base colours nearly identical, but the abstracted half-round peacock motifs perfectly echo the graphic round kiku on the obi. I decided to emphasize those motifs by accenting the outfit with cream and gold accessories, and I don’t think I could be happier!