Art Gallery – Fuji Musume Doll (and repairs)

You may have seen the little souvenir doll I fixed up recently, and maybe even the ceramic hakata-style dancer I refinished, but this pretty Fuji Musume has been waiting for her moment in the spotlight since February of 2016! She had a very brief cameo on my Instagram account but has been in hiding ever since, unless you’ve been in my bedroom.

I found her in an antique shop near my house before I found the other two dolls. The owner tried to tell me she was in “perfect condition”, but once I took her out and had a good look at her I could see that absolutely was not the case. The delicate painting on her face was faded and chipped, her wisteria branch was sun-damaged and brittle, the structure under her hair was almost bleached, and there was a not insignificant crack in the bisque on the back of her neck. I managed to talk him down to a more than reasonable price for her and her glass case. I knew I wanted to restore her beauty, but I had no idea where to start, aside from the obvious things like getting her a new wisteria branch. While that was in the works, I focused on the other dolls and the things I learnt doing those two helped prepare me for more on her.

Jess from Tiaras ‘n Teakettles came to the rescue for the wisteria! I sent her photos and measurements of the original branch and she crafted this beautiful tsumami branch by hand. It’s got a lovely weight to it, the dangles flow gracefully, and it fits perfectly between her hands. I didn’t even have to glue it, it balances so well.

Once that was sorted I knew it was time to tackle the more serious issues. Her lips were lacquered in an almost glassy red that had cracked and split and faded over time. I ended up having to use Tamiya paint thinner to strip the original off properly, and then used watercolours to repaint her lips and add a tiny hint of red to her eyes. I feel like it helps breathe new life into her facial features.

Next up was the most challenging bit; repairing the cracked bisque on the back of her neck. Thankfully it was just a surface defect, not a structural one, and with the way she stands in her display case it’s virtually unnoticeable, but I knew it was there and I wanted to fix it. I tried a few different things before stumbling upon crafting chalk paint. It’s easy to find in any large craft store such as Michaels. I bought a bottle of white and mixed in the tiniest amounts of peach and brown to make it warmer and less stark. I worked in incredibly thin coats, brushing it over the crack and wiping away the excess each time, essentially filling the crack in with the chalk paint and blending the edges out with a wet brush. If you’re right next to her or looking through a camera lens you can see it faintly, but it’s nearly gone.

Finally I used a black marker to fill in the bald spots on the sides of her hairstyle, repositioned her obiage and gave her a new obijime. I felt that the original one she came with was too big in scale and to starkly white, but I found this thinner gold cord that works perfectly.

I am so glad I waited to work on her, because I know I’ve done the best job possible instead of eagerly rushing through things as I am sometimes wont to do. I love her to bits, and she occupies place of pride on a table next to my sofa now.

Also, you may be thinking to yourself “Isn’t this primarily a kimono blog? Why aren’t you posting any actual kimono lately?” and I would like to address that briefly. I’ve been feeling under the weather, and combined with the heat and humidity this summer, I have no energy to even wrestle with the mannequin. However, I do have a big project in the works, and hopefully it will make up for the sparsity and somewhat disjointed nature of the posts lately! I just need the weather to calm down a little, and the last of the pieces I’ve ordered to arrive in the mail.

One Kimono, Four Ways – Week 3: Punchy and Popping

One of the great things about iromuji is how they can allow you to really focus attention on something other than the kimono itself. They make a great neutral canvas for a really bright or busy obi. I decided for this week’s entry that I’d do a really high-contrast coordination with a lot of “punch” to it, and this obi was the perfect place to start. It’s a very special obi; I received it anonymously from some lovely person online. I suspect their intent was to have me coordinate it with my Shah Mosque houmongi, but in the end the styles and colours were too different and I could never get them to work together. This kimono, however, is ideal. It’s a similar background colour to the houmongi and the orange-red of the obi really pops against it, but it doesn’t compete with the pattern on the obi itself. It’s a wonderfully neutral foil for the gorgeous obi, and the colours couldn’t work better together if they’d been made to go together. I’d initially thought of using a third bright colour (yellow or pink) for the obiage and obijime but then I remembered these pieces, and everything just clicked.

We’ve also got a special guest photobomber today! Those of you who are longtime readers have probably seen Vinnie before. He usually avoids the mannequin but today he decided he wanted to be the star of the show.

I hope you’re enjoying seeing these posts as much as I’m enjoying doing them! We’ve got one left, and then it’s time to focus on newer things.

One Kimono Four Ways

One Kimono, Four Ways – Week 2: Modern and Monochrome

For this week’s outfit featuring my mint iromuji, I wanted a big departure from the very standard coordination from last week. This adorable kitty haneri is a very deep rich teal, and it struck me that I had a bunch of similar items in various shades of the same colour. I think pairing the iromuji up with them and using cooler lighting than last week’s photo really drives home the point that I was trying to make, that one kimono can look incredibly different with different accessories, and in different situations. Surrounded by the cool tones of the haneri, obi, and hakama the kimono itself leans much more towards the blue side of things than it did against the gold and lavender of last week.

So far, I think this experiment is going swimmingly! I look forward to seeing what else I can do with this piece.

One Kimono Four Ways

Knowledge: Types of Kimono

Kimono can be an overwhelming thing to get into, especially since there are so many different types of kimono. To the beginner, they may all look similar, but a basic knowledge of the types of kimono and appropriate situations for wear is always handy. I have explained this very slightly in the Kimono Terms Glossary but in this entry I will elaborate further, with photo examples, and suggestions on where to wear each type. I will be doing a similar entry about obi shortly, which will help elaborate on the types of obi mentioned in this entry. (edit: Here is the corresponding entry about obi)

Do keep in mind that as with anything in life, there are always exceptions to the rule. There exist many types of hybrid or unique kimono that can be a combination of one or more of these styles. These are the most common and standard acknowledged varieties of kimono, but if you find one that doesn’t easily fit into one of these categories, that does not necessarily mean it’s not a true kimono.

Yukata
These are the most casual and probably the most comfortable to wear. They are made of cotton and generally have fun, vibrant, all-over prints. In Japan, very casual yukata are worn in ryokan (traditional hotels), onsens (public bath houses), and around the house. These typically are white with a simple indigo print, and are usually short enough not to drag on the floor. Yukata intended for festivals are often longer, and folded at the waist, and made of a more substantial cotton with brighter and more detailed prints. These types are a great place for beginners to get into the hobby, as they are fun, funky, and require the least amount of accessories – all you need is an undershirt, bike shorts, a few cotton ties, and a narrow obi. You can wear them to festivals, fireworks, picnics, barbeques, or any other fun summer activity. Imagine anywhere you’d wear jeans and a cute t-shirt or a casual cotton sundress. Appropriate obi to wear include hanhaba (hira) obi or heko obi.
Komon
Komon are the most casual level of “real” kimono. They are characterized by all-over patterns that can be either large or small in scale. They are typically quite informal, but can be made slightly more formal with small bits of metallic print or embroidery and in a pinch can be dressed up with a slightly nicer obi. However, they’re still the most casual of kimono. Appropriate situations for wear include lunch with friends, shopping in a high-end district, a trip to a museum. Similar to a nice pair of slacks or a day dress. Komon can be paired up with a variety of obi, including nicer hanhaba obi and nagoya obi. If the kimono is quite dressy or the obi is quite casual certain fukuro obi might work, but this is rare and safer to avoid if you’re unfamiliar or uncomfortable with the rules.
Iromuji
By far the most versatile kimono in any woman’s wardrobe – think of iromuji as the “Little Black Dress” in your closet. With the right accessories they can go from running errands to a tea ceremony to the opera to the wedding of a friend. These kimono are one solid colour, but often made of very textural rinzu silk, which is woven in such a way as to have a tone-on-tone pattern. Patterns can include flowers, plants, textures, landscapes, really the possibilities are endless. Iromuji can also come with one, three, or five family crests – one crest is by far the most common. The more crests a kimono has, the more formal it becomes. A one-crested iromuji is probably the best investment you will ever make if you plan to wear kimono frequently. Due to the versatility of the kimono, many types of obi are appropriate, depending on the situation and formality. Anything from a dressy hanhaba obi, to nagoya, to fukuro are all acceptable.
Tsukesage
Tsukesage are generally a solid colour with designs in a few very specific locations – along the hem, the front panel, the sleeve, the shoulder, and the collar. They can be quite vibrant or relatively subdued, and work in a variety of situations. Dinners out, trips to the theatre. They’re good for when you want to dress up a bit and stand out, but not very formal events. Tsukesage do not come with crests, so they are not particularly appropriate for ceremonial events. Suitable obi are nagoya, and fukuro if the kimono has enough dressy elements.
Houmongi
Similar to tsukesage, but slightly more formal. Rather than having separate design elements on each panel, there is a continuous design across the entire hem and generally across the shoulders. They can also have one crest on the back, which further helps to make them a bit dressier. Houmongi are often worn to weddings, especially fancier ones in large reception halls or hotels. To me, the houmongi is the “quintessential kimono”, the kind most people picture a woman in a lovely kimono, or the kind often bought to hang on walls as art. The best obi for houmongi is usually fukuro or fukuro-nagoya, but maru obi and certain nagoya can work well too.
Furisode
Furisode actually refers to sleeve length, rather than the pattern layout. “Sode” means sleeve and “furi” means swinging. Furisode have very long, swinging sleeves. They are generally worn by young, unmarried women. Furisode can come in different pattern layouts; komon, houmongi-style, and even iromuji style. They also come in several sleeve lengths; ko-furisode – which are the shortest and can be worn almost like regular kimono, chuu-furisode (also listed as chuburisode) – which are slightly longer and generally a bit more formal, and ooburisode – the longest and generally the most formal. Kimono worn for coming-of-age day, weddings, etc, have ooburisode sleeves. Furisode also typically require fancy obi musubi (obi knots) to balance the volume and style of the sleeves, so the only proper obi to be worn with them in normal settings are fukuro or maru obi.
Irotomesode
Iro means colour, and tome-sode means short sleeves, so logically iro-tomesode would be a coloured, short-sleeved kimono. Design-wise, they have a fairly ornate continuous pattern around the hem, and nothing above the waist. They are often crested, anywhere from one to five crests, and are worn by both married and unmarried women for formal or ceremonial events. They’re not as common as they used to be, and the ones that end up on the market most often are vintage. Acceptable obi would be fukuro or maru.
Kurotomesode
Similar to irotomesode, but black. These are the most formal kimono for married women. They are worn by the mothers of the bride and groom at weddings, black-tie events, children’s graduation, etc. They are appropriate for anything celebratory or ceremonial. They show up on the secondary market quite frequently, because in modern times they are one of the most often-used kimono, as women tend to only wear them now for “big” events. Appropriate obi are fukuro or maru with celebratory motifs, usually with plenty of gold.
Kakeshita, also Hanayome
These are unique wedding kimono. They are meant to be worn trailing (see hikizuri, below) by a bride at her wedding. The overall wedding ensemble is very specialized and complicated, with many significant accessories and a specific dressing style. There are licensed salons and studios in Japan that deal solely in dressing brides for their weddings. The designs are typically very vibrant and colourful, and often have lots of flowers and cranes or other celebratory motifs. They will also generally have a lot of gold foil or couching (outline embroidery).
Uchikake
Uchikake are not what people generally think of as a kimono, they are not worn over an underrobe and tied shut with an obi. They are part of a traditional bridal ensembled, and worn trailing over the rest of the ensemble, including the kakeshita and the obi. They are more like very elaborate over-robes, and although historically they were common for the upper class and nobility, they not something that are worn in modern day in any other circumstances (aside from theatre performance). However, they do look stunning when hung on a rod as a decorative accent in the right decor.
Mofuku
Mofuku is mourning wear. This is a kimono (and obi) of solid black, worn by the family of the deceased at a funeral. A mofuku kimono will be solid black with a white lining and five white crests. These often turn up on the secondary market, but I personally believe it to be in incredibly bad taste to buy one of these and wear it for any other circumstance. These kimono were worn by people mourning the loss of someone very close to them, and the associations to the Japanese can be very negative. It’s becoming more common to see mofuku accessories (obiage, obijime) being worn with regular outfits, but the kimono itself is one of the items that I don’t think will ever escape the negative stigma. Mofuku kimono are always worn with solid black nagoya obi, black obiage and obijime, white haneri, white tabi, and black zori.
Hikizuri, also Susohiki
Hikizuri and susohiki actually refer to the way that the kimono is worn, it means basically “trailing skirt”. These kimono are worn by geisha, dancers, and other traditional stage performers. They can be nearly any of the styles listed above – komon, irotomesode, kurotomesode, etc. Maiko (apprentice geisha) wear furisode hikuzuri. Kakeshita, the wedding kimono mentioned above, are also technically hikizuri, and this is probably the only time an average woman will wear a kimono of this style. They are best purchased for collecting purposes or cosplay, not for wearing out to events.

*Thanks to Ichiroya for the permitted use of their images. Originally these items were all available for purchase and the images linked back to the sale listings, but they have been sold!!

Vintage vibe, modern fit!

Last week I managed to snag an amazing deal. In this entry I mentioned that the best thing a big girl like myself can do is to buy items that fit. Imagine my shock when I found a brand new, synthetic, washable komon that fits me quite well, and has a great vintage vibe to it. Not only that, but it was marked down to $9.85! It arrived in a week, which is even more awesome.

I decided to pair it up with my spider obi – I’d forgotten what a pain in the butt that thing is to tie. Thankfully, my father is patient, kind, and always willing to lend a hand or two when I’m having trouble with my obi. I realized that the mauve on my new embroidred obiage tied into the stripes very nicely, so I decided to use that too.

My dad helped me align my obi so there are three awesome, adorable spiders visible. The tare is a bit long, but that was an intentional decision for optimum spiderosity. Yes, spiderosity is totally a word.

Overall, I’m quite pleased with this outfit. I think maybe an embroidred haneri of some sort might increase the vintage feel, but the white works fine for the time being.

Bonus: I had to kick someone out of “his” chair before taking the pictures. He was not amused.