Review – Doll Kimono by JaponSakura

If you’ve ever gone hunting for doll kimono for smaller dolls (Barbie, Monster High, Pullip, Blythe, etc) you know how hard it can be to find accurate, well-made ones. There are lots of really nice options for wa-lolita styles and more modern/fashion types, and some beautiful options for larger BJDs, but if you’re looking for a stylish traditional kimono the options tend to be slim. I’d been looking for a proper kimono for Willow Grace, my beloved Pullip doll (on a 27cm Obitsu body), for a while and wasn’t finding anything that really spoke to me. Then I found Makiko and her shop JaponSakura on Etsy and I knew that was about to change!

The shop is sorted by doll size and type, so whether you’re looking for a kimono for the tiniest MiniFee BJD or your 70cm tall beauty, there are options available. There are multiple feminine styles as well as masculine options, as well as hakama for both.

There are a huge array of options for kimono fabric, obi fabric, obi style, accessories, etc, allowing for nearly limitless combinations. If you still can’t find exactly what you’re looking for, Makiko will also take entirely custom orders as schedule allows. I’ve got one of those in the works for a big project and will hopefully be showing you all soon!

All the items are very solid and well-made. The kimono is fully lined and everything is very cleanly finished with tiny stitching. The kimono is long enough to make a proper ohashori. I used a small clear hair elastic to hold everything in place, and it worked perfectly. The obi is pre-tied and closes with velcro. At this size, that’s quite helpful; tying a full obi would be incredibly fiddly and frustrating. The obijime is tied in a beautiful decorative knot and then just attaches in the back behind the obi musubi. For anyone wondering, the tabi and zori are standard 27cm Obitsu products that I purchased separately. My custom order will also be including tabi, but for now I can’t comment on the quality of those. However, I can only assume they’re made with as much care and attention as the rest of the items.

And of course, what’s a girl to do when she’s got not only an adorable doll and a gorgeous kimono, but also a doll-sized koto she found at a thrift store for six dollars? Why, take more photos, of course!

Overall, I am incredibly happy with the artistry and craftsmanship of the whole outfit. Everything coordinates very well and I think the fabrics I picked suit my little Willow Grace very well. She looks very at home in the cabinet with my other Japanese dolls now! And yes, I will have photos of that cabinet eventually.

Don’t forget, there’s just over a week to go in my Facebook giveaway! If you haven’t checked that out yet, now is your chance. 💖

I purchased this item myself and chose to review it.If you have a topically appropriate craft, product, or service you would like me to review, please contact me.

Kits-Mas Day 2 – Oh Christmas Tree!

Yesterday I went with a classic holiday-inspired colour scheme, so today I wanted to do something a little more fun and modern. I bought this hanhaba obi a few weeks back and while it was listed as “geometrical trick art” but it totally made me think of pine needles, which of course made me think of a Christmas tree!

I realise purple is a bit of an unexpected accent colour, but it was already in the obi and coordinates so nicely with the warm green so I decided to run for it. I also added some little sparkly gems to the haneri to make it feel more festive and improvised an obi musubi to look like a tree! I’m not sure how well I succeeded there, but I think it’s cute enough. A few more sparkly gems to emulate ornaments on a tree, and this outfit just came together perfectly.

I hope you had a wonderful Christmas, those of you that celebrate. Did you receive any awesome kimono or related things as gifts? If so, I would love to see! As for me, I got some great books I’d been wanting; the 25th Anniversary update of Liza Dalby’s Geisha and a lovely little reference called Kimono Design  and I’ll be posting reviews of both when my life settles down a bit.

Art Gallery – Fuji Musume Doll (and repairs)

You may have seen the little souvenir doll I fixed up recently, and maybe even the ceramic hakata-style dancer I refinished, but this pretty Fuji Musume has been waiting for her moment in the spotlight since February of 2016! She had a very brief cameo on my Instagram account but has been in hiding ever since, unless you’ve been in my bedroom.

I found her in an antique shop near my house before I found the other two dolls. The owner tried to tell me she was in “perfect condition”, but once I took her out and had a good look at her I could see that absolutely was not the case. The delicate painting on her face was faded and chipped, her wisteria branch was sun-damaged and brittle, the structure under her hair was almost bleached, and there was a not insignificant crack in the bisque on the back of her neck. I managed to talk him down to a more than reasonable price for her and her glass case. I knew I wanted to restore her beauty, but I had no idea where to start, aside from the obvious things like getting her a new wisteria branch. While that was in the works, I focused on the other dolls and the things I learnt doing those two helped prepare me for more on her.

Jess from Tiaras ‘n Teakettles came to the rescue for the wisteria! I sent her photos and measurements of the original branch and she crafted this beautiful tsumami branch by hand. It’s got a lovely weight to it, the dangles flow gracefully, and it fits perfectly between her hands. I didn’t even have to glue it, it balances so well.

Once that was sorted I knew it was time to tackle the more serious issues. Her lips were lacquered in an almost glassy red that had cracked and split and faded over time. I ended up having to use Tamiya paint thinner to strip the original off properly, and then used watercolours to repaint her lips and add a tiny hint of red to her eyes. I feel like it helps breathe new life into her facial features.

Next up was the most challenging bit; repairing the cracked bisque on the back of her neck. Thankfully it was just a surface defect, not a structural one, and with the way she stands in her display case it’s virtually unnoticeable, but I knew it was there and I wanted to fix it. I tried a few different things before stumbling upon crafting chalk paint. It’s easy to find in any large craft store such as Michaels. I bought a bottle of white and mixed in the tiniest amounts of peach and brown to make it warmer and less stark. I worked in incredibly thin coats, brushing it over the crack and wiping away the excess each time, essentially filling the crack in with the chalk paint and blending the edges out with a wet brush. If you’re right next to her or looking through a camera lens you can see it faintly, but it’s nearly gone.

Finally I used a black marker to fill in the bald spots on the sides of her hairstyle, repositioned her obiage and gave her a new obijime. I felt that the original one she came with was too big in scale and to starkly white, but I found this thinner gold cord that works perfectly.

I am so glad I waited to work on her, because I know I’ve done the best job possible instead of eagerly rushing through things as I am sometimes wont to do. I love her to bits, and she occupies place of pride on a table next to my sofa now.

Also, you may be thinking to yourself “Isn’t this primarily a kimono blog? Why aren’t you posting any actual kimono lately?” and I would like to address that briefly. I’ve been feeling under the weather, and combined with the heat and humidity this summer, I have no energy to even wrestle with the mannequin. However, I do have a big project in the works, and hopefully it will make up for the sparsity and somewhat disjointed nature of the posts lately! I just need the weather to calm down a little, and the last of the pieces I’ve ordered to arrive in the mail.

One Kimono, Four Ways – Week 3: Punchy and Popping

One of the great things about iromuji is how they can allow you to really focus attention on something other than the kimono itself. They make a great neutral canvas for a really bright or busy obi. I decided for this week’s entry that I’d do a really high-contrast coordination with a lot of “punch” to it, and this obi was the perfect place to start. It’s a very special obi; I received it anonymously from some lovely person online. I suspect their intent was to have me coordinate it with my Shah Mosque houmongi, but in the end the styles and colours were too different and I could never get them to work together. This kimono, however, is ideal. It’s a similar background colour to the houmongi and the orange-red of the obi really pops against it, but it doesn’t compete with the pattern on the obi itself. It’s a wonderfully neutral foil for the gorgeous obi, and the colours couldn’t work better together if they’d been made to go together. I’d initially thought of using a third bright colour (yellow or pink) for the obiage and obijime but then I remembered these pieces, and everything just clicked.

We’ve also got a special guest photobomber today! Those of you who are longtime readers have probably seen Vinnie before. He usually avoids the mannequin but today he decided he wanted to be the star of the show.

I hope you’re enjoying seeing these posts as much as I’m enjoying doing them! We’ve got one left, and then it’s time to focus on newer things.

One Kimono Four Ways

One Kimono, Four Ways – Week 2: Modern and Monochrome

For this week’s outfit featuring my mint iromuji, I wanted a big departure from the very standard coordination from last week. This adorable kitty haneri is a very deep rich teal, and it struck me that I had a bunch of similar items in various shades of the same colour. I think pairing the iromuji up with them and using cooler lighting than last week’s photo really drives home the point that I was trying to make, that one kimono can look incredibly different with different accessories, and in different situations. Surrounded by the cool tones of the haneri, obi, and hakama the kimono itself leans much more towards the blue side of things than it did against the gold and lavender of last week.

So far, I think this experiment is going swimmingly! I look forward to seeing what else I can do with this piece.

One Kimono Four Ways