Harley Quinn

I hate clowns, but I love Harley Quinn. Go figure! This was the outfit I was most looking forward to. It was the most fun, but somehow also the most awful to put together! Even though the other three outfits in this project have been relatively standard and traditional kitsuke, my plan for Harley had been a bit off-the-wall from the very beginning.

For a character who was only created in the 1990s and was never meant to be a permanent addition, Harley’s had an enormous impact on the DC universe and really pop culture as a whole. She’s had some incredible character development, and a long with that a bevy of unique costumes and looks. None are more iconic than her original red and black harlequin jumpsuit though, so I knew that one had to be my starting point.

My red ume komon was the grounding point for the whole outfit, along with a black petticoat to give off a cute feminine vibe. Over top of that, I used a ro mofuku kimono I have that’s basically rotted apart at the seams. I’ve been planning to sew it back together, but I realised that it would be perfect to use as a sort of overlay. Since the seams were already separated, I sort of bustled it in four segments over top of the komon. A red, black, and white obi and accessories with card suit motifs were the perfect next step. I added some white ruffled ribbon to the collar and sleeves, and tucked a white shibori obiage in above the obi to look like more ruffles.

Despite it being an enormous pain in the posterior to put together, I could not be happier with how this outfit turned out. I could absolutely see Harley wearing it.

This is going to be the last Batman-themed outfit for a while. It’s been great fun, but I want to focus on a few different things for the month of October. I do have loose ideas for a few more characters so I’ll likely revisit those in the future though.

Items used in this coordination

Furisode Dress Tutorial

Several months ago, some photos started making the rounds of an awesome way to temporarily modify a kimono to wear over a Western-style dress, as a sort of reversible fusion of traditional and modern. I was determined to figure out how to do it, and I think I succeeded quite well back then. While commonly suggested for a wedding, these would also be a really special and unique outfit for a prom, ball, sweet sixteen, quinceañera, or any other event where a ballgown would be worn.

Since then, several people have asked me for a tutorial and I kept getting sidetracked by other projects and my own squirrel brain. The original photos, as well as new ones, are now making the rounds again so it felt like a good time to revisit it and do a proper step-by-step breakdown for you all.

This can be a bit tricky, so if you’re hoping to do it for an event I’d absolutely suggest practising a few times and having someone to help you out.

You will need:

  1. Dress with voluminous skirts
  2. Kimono (furisode work best)
  3. Fukuro obi
  4. Obijime
  5. Obiage
  6. Koshihimo (several)
  7. Kasane-eri (optional)
  8. Accessories (optional)

Other dressing accessories such as an obi-ita, obi-makura, dressing clips, etc, are optional but helpful, depending on what kind of obi musubi you have in mind. Make sure you have everything near at hand, because once you start tying and bustling the kimono it’s not the sort of thing you can pause and walk away from.

Step 1 – A naked mannequin! How scandalous! Seriously though – if you’re dressing a mannequin this is your starting point. If you’re dressing yourself, put on whatever traditional foundation garments you’d wear under your dress. Forget kimono underwear now, just wear something comfortable that won’t show under your gown (unless that’s what you’re going for, in which case, you do you. A harness bra would add a really fun gothic element with the right kimono)

Step 2 – Put your dress on, make sure it’s fully secured and done up. It will be carrying some extra strain, so you want to make sure it fits you properly and won’t go sliding around when you adjust the kimono over top.

Step 3 – This is where things get fun. Pick up your furisode and hold it up in front of you, with the back facing outwards. You’ll be putting it on backwards. Find the centre point of the collar, align it at your sternum. If you want to add a kasane-eri for a bit of colour and contrast, now’s the time. Once you’ve got your kimono arranged across your bust, wrap it around your torso and hold it snug while you tie everything in place with a koshi-himo. Make sure to leave the sleeves free, you will be adjusting them later. This is where a second set of hands definitely helps. If you have someone to hold everything in place for you while you tie the kimono in place, it will be much easier.

Step 4 – Once you have the kimono tied snugly in place, you can start pulling up the excess and folding it over the himo tied at your waist. If you’ve worn kimono traditionally, this part is very similar to adjusting your ohashori. You can have some fun here; there’s no specific length that the kimono has to reach. You can hike the kimono up far enough to show the hem of your dress, or you can have it almost dusting the ground.

Step 5 – Once you have the length determined, arrange the sleeves behind the dress and snugly tie everything in place with another himo. You can arrange the sleeves in the back like this, and it almost forms a train. You can also have them draped around the front like I did with the previous furisode dress, which gives a more youthful vibe, almost reminiscent of an apron or jumper. Have fun and experiment.

Step 6 – Smooth everything out with an obi-ita, and take the time to smooth everything out. If you need an extra koshi-himo or two don’t hesitate to use them. Make sure everything is snug and secure, especially if you’re dressing yourself (or another person) and not a mannequin.

Step 7 – Once everything is good and tight, you can begin wrapping your obi. This part is going to be essentially the exact same as when wearing kimono. Wrap twice around the torso and use the rest to tie your musubi. You can have fun here too; this outfit is so non-traditional you can really go wild with how you tie the obi. For simplicity’s sake I did a sort of bunko variant but there are really no rules here.

Step 8 – Secure the obi with an obijime, make sure it’s good and snug. If you used an obi-makura, hide it with an obiage. Even if you don’t need the obiage, it’s a nice way to add a little more colour and texture to your “dress”. Again, have fun! We’ve broken so many rules by this point there’s no real reason to worry about the others.

Step 9 – Voila! Your new ballgown is ready for the runway, with no modification or damage to the kimono.

I hope this is easy enough to follow along. Feel free to ask for clarification if you need help, and if you attempt this I would love to see photos!

Something old, Something new…

Kimono, like any other garment out there, is subject to trends and changes in fashion. Usually, this just impacts the colours and patterns used, since the shape of a kimono is so fixed. Every so often, however, someone comes up with something really different and unique. Traditionally, brides in Japan will wear a special type of furisode called a kakeshita on their wedding day. The colours and styles and motifs of these can vary greatly, but they’ve always been the same basic garment. However, modern women are looking for ways to wear more modern dresses but still retaining a bit of that traditional feel. For a while now, there have been designers such as Aliansa who will convert a kimono into a western-style dress, but this requires irreversible changes to the kimono. This isn’t ideal for family heirlooms or treasured gifts. So what’s a bride to do?

Enter The Oriental Wasou, a bridal studio that’s figured out a fantastic way to temporarily convert a furisode simply by folding it carefully and draping it over a western-style ballgown! They claim it takes only ten minutes, and after the event all you’d need to do is give your furisode a good steaming, fold it carefully, and store it away. When I first saw these adaptations, I knew I wanted to give one a try. However, I am not the sort of person who has ballgowns or wedding gowns just lying around, so the idea went onto the back-burner until I was at the thrift store a few weeks ago and found this utterly beautiful mauvey pink gown with a sheer black overlay. I knew right away it would be the perfect complement to my favourite furisode.

This furisode and I have had a colourful history. I bought it years ago while visiting my best friend at the time, even though I knew I’d never have a valid or justifiable reason to wear it. It didn’t matter, I was in love with it. I dressed myself in it a few times for photos, I had a lot of fun with it, and then a few years ago my friend and I parted ways. There was a lot of silly emotional baggage whenever I looked at the kimono, and I stopped doing pretty much anything with it. Fast-forward to middle of last year, and not only have we reconciled, it feels like we’re closer than ever. I knew I had to pair this outfit with the pearl necklace he’d given me for my birthday one year. The other accessories were chosen to help emphasise some of the colours in the kimono. The obiage and obijime perfectly mirror the shading in the peonies, and the obi helps draw out the gold flecks in the background. Since this is such a non-standard outfit, I had fun making up a big flashy obi musubi. It also helped to hide the draping and folding in the back of the kimono.

Overall, I think this experiment was quite successful. It’s definitely a departure from what I’m used to, but everyone needs to step out of their comfortable rut now and again, right?

Items used in this coordination