It’s no secret that a huge part of Star Wars’ visual identity owes much to traditional Japanese aesthetics. From Darth Vader’s samurai-like helmet to the kimono-inspired robes of both the Jedi and Sith, the influence is apparent in many facets of the Universe. May the Fourth is known as Star Wars Day to many people, a play on words about the date sounding so much like the traditional May The Force (be with you) greeting.
I had been wanting to do a Jedi-inspired kitsuke using beige and brown toned items ever since I did the Star Trek themed one a while back. What can I say, I am an equal opportunity fangirl! I found these two iromuji for a song a while back and thought today would be the perfect day to do it. I tried to keep the actual dressing manner quite traditional, aside from taking the liberty of using a second kimono as a long over-robe, instead of finding a haori. I wanted something I could try to fake the appearance of a hood with, and something that would flow to the ground. I used my spider obi flipped inside-out to get a rough-textured beige obi, and a brown mottled leather obijime to replicate the belts usually worn by Jedi. The finishing touch was one of my Jedi symbol earrings clipped to the obijime as a little decoration.
I really like how well this all came together. It’s really evident to see the kimono origins of the Jedi robes when it’s all set up like this, and now I’m very tempted to adapt this outfit to wear to a convention. Maybe I’ll hike up the hem and wear brown leggings and boots underneath it for comfort and ease of movement. Of course, this means I’ll have to get myself a lightsaber!
It feels like sometimes I get so caught up in my kitsuke experimentation, be it kimono-as-costumes, turning a kimono into a ballgown, steampunk hime-styles, or one of the other multitudes of things I’ve done lately, that I forget about the timeless simplicity that drew me to kimono in the first place. So for this outfit, I decided to go in a very clean and traditional direction that’s all about the little details. I paired up my sagara embroidery tsukesage with an obi I got in the infamous obi bundle and hadn’t used yet. Accessories were plain and classic, a casual obijime that reflects the colour of the kimono and an obiage that adds a little bit of sweetness while still being quiet and discreet. This obi’s motif placement is very strange, and I had to cheat a fair bit while tying it, but isn’t that what mannequins are for? ;)
I doubt I’ll be reaching for this obi again any time soon, which is a shame because the soft embroidered details on it are so pretty. It’s just too much of a nuisance. But I very am glad I decided to drag these two pieces out of storage and do something with them. I’m working on a bunch of new stuff behind the scenes, so this may be the last outfit post for a few weeks. I’m glad it’s one I’m proud to leave on the mannequin.
I was so pleased with the end result of using the high-necked Victorian-style blouse under the pink iromuji a few weeks ago, I thought I would try it again! Rather than simply re-hash the outfit with a different kimono, I decided to throw caution to the wind and do a full Steampunk-style ensemble. I purchased this corset recently for a cosplay, but it seemed like the perfect jumping-off point for this outfit. While I use it fairly frequently, this outfit screamed for my Gothic Victorian Landscape houmongi. A ruffly black crinoline and a brown faux-fur stole pulled everything together neatly, and a brooch from Scotland was the perfect finishing touch. I couldn’t be happier with how this one came together. I could totally imagine myself wearing this outfit – with a fabulous hat and knee-high boots – on the front deck of an airship, travelling to Japan to do some more shopping!
As you may have noticed, it’s become a bit of a thing for me to dress house-guests in kimono. Several months ago, my dear friend Dino of Alternative Vegan came to stay with me. Our friend Frances came by as well, and I had the pleasure of subjecting them both to the blissful discomfort of kitsuke ;)
I had fun playing with gender conventions here. Dino has a very fabulous and flamboyant personal style, so I put him in a woman’s kimono and obi but dressed in a manly style, similar to my own experiments in otoko-poi style years ago. You’ll notice that he’s wearing the same Victorian Gothic London houmongi that Elise wore when she visited. This tends to be a popular one with guests; I suppose the motif is both quirky and familiar, which makes it accessible to people who aren’t really used to kimono yet.
Frances is wearing a woman’s kimono and obi, but with a very neutral, muted palette and no accessories. They are also much tinier than I am, and even my smallest kimono ended up being big and a little awkward to work with, especially since I have been out of practice so long. Alas! At least they both had fun :D
Dino’s laughter is infectious, by the way. I don’t think our house has been consistently so full of random crack-ups as it was when he was visiting.
With summer rapidly (and hotly) approaching, I figured it was high time I invest in a few more ro pieces. I managed to snag these two for a great price, and since they were from the same seller and summer sheer weave is very light, the shipping was very affordable too. When all was said and done, I paid just over $20 for the two of them, shipping included.
Grey-blue ro tsukesage with flowers
I love how soft and painterly this looks – like an impressionist watercolour. It’s definitely got a cool, breezy feel to it and I really can’t wait to wear it. I think it will look lovely with my white sha hakata and pink accessories.
Cream komon with suzu
From a distance, this doesn’t look like much – just beige with yellow dots, but up close you can see that the “dots” are actually adorable little round bells, printed in a sort of faux-bingata style. It’s absolutely adorable! Unfortunately, it’s also incredibly narrow, so I need to get off my wider-than-average butt and widen the side seams.