It’s no secret that a huge part of Star Wars’ visual identity owes much to traditional Japanese aesthetics. From Darth Vader’s samurai-like helmet to the kimono-inspired robes of both the Jedi and Sith, the influence is apparent in many facets of the Universe. May the Fourth is known as Star Wars Day to many people, a play on words about the date sounding so much like the traditional May The Force (be with you) greeting.
I had been wanting to do a Jedi-inspired kitsuke using beige and brown toned items ever since I did the Star Trek themed one a while back. What can I say, I am an equal opportunity fangirl! I found these two iromuji for a song a while back and thought today would be the perfect day to do it. I tried to keep the actual dressing manner quite traditional, aside from taking the liberty of using a second kimono as a long over-robe, instead of finding a haori. I wanted something I could try to fake the appearance of a hood with, and something that would flow to the ground. I used my spider obi flipped inside-out to get a rough-textured beige obi, and a brown mottled leather obijime to replicate the belts usually worn by Jedi. The finishing touch was one of my Jedi symbol earrings clipped to the obijime as a little decoration.
I really like how well this all came together. It’s really evident to see the kimono origins of the Jedi robes when it’s all set up like this, and now I’m very tempted to adapt this outfit to wear to a convention. Maybe I’ll hike up the hem and wear brown leggings and boots underneath it for comfort and ease of movement. Of course, this means I’ll have to get myself a lightsaber!
I said I’d be trying to do at least one ikebana arrangement per month, but that was the bare minimum. I was inspired to do a second before April ends.
I wanted this one to feel much more natural and organic, a bit like a rock garden at the edge of a pond. I found the beautiful white and purple ranunculus first, and then found the smaller filler flowers in the exact same colour scheme and knew I wanted to experiment with texture and repetition instead of the more traditional shin/soe/hikae structure of a more vertical arrangement. The roundness of the glass vessel echoes the rocks and the shape of the flowers, and and the colours repeat each other which gives the whole piece a feeling of cohesiveness. This has a very different feel from the last one, which makes me feel very happy. I can’t wait for the next strike of inspiration to hit me!
When I was given the opportunity to review one of Sachi and Company‘s beautiful handbags, I jumped at the chance. The store was started by friends from Okinawa, the United States, and Canada, working together to recycle traditional Japanese textiles into gorgeous modern accessories. They make beautiful kimono fabric scarves as well as the handbags, and they’re sold along wall hangings and traditional kokeshi dolls. Their passion for tradition and Japanese culture is evident in everything they do, and it’s infectious.
The handbag itself is absolutely amazing. The primary maru obi fabric was clearly very carefully selected and cut in a way that shows it off very well. It’s incredibly well-finished both inside and out, being fully lined and finished with mofuku obi fabric and solid-feeling plastic handles that are very securely attached. There’s an interior slip pocket for smaller items, and the bag itself holds a huge amount without feeling overwhelmingly big. The only “issues” I had with it, minor as they are, are lack of a zipper and shoulder strap. Living in a big city, the lack of a zipper makes me wary, but I will be keeping it as a special-event handbag so security is less of a concern. It will also help keep the beautiful fabric clean. If you’re looking for a great way to inject a bit of Japan into your western wardrobe, I highly recommend checking them out!
Please forgive the sticker over my face. I used the bag when I went to see The Book of Mormon yesterday, and while I felt fantastic and confident, every photo came out with a vaguely grumpy bemused expression. I just really wanted to include a photo so you can see the size and shape of the bag, and how well it completes my outfit.
I received this item from the manufacturer for review purposes.If you have a topically appropriate craft, product, or service you would like me to review, please contact me.
Several years ago, I came across a photo of a very handsome man in an excellent combination of western-style modern clothing and kimono. He was wearing a crisp white button-down and a tie in lieu of traditional undergarments. Recently, I was reminded of this photo and set out to track it down. Some savvy friends of mine recognised what I was talking about and pointed me in the direction of Kidera-san, the owner and stylist of men’s kimono shop Fujikiya. Lo and behold, there he was in all his dapper glory.
I was spurred on to do my own interpretation of this style, using women’s pieces but still keeping a decidedly masculine vibe. I’ve always loved this tartan kimono and thought it would be an excellent place to start. The colours in it have always reminded me of the tartan of the Black Watch Royal Highland Regiment of Canada, so I asked my father if I could borrow his regimental tie. The plain side of my red grosgrain hanhaba obi and a thin green ribbon pulled it all together. Initially I’d planned to fold the obi in half and use it more like a men’s narrow kaku obi, but it’s quite thick and doubling it up made it impossible to tie. Instead, I went with a flat, fairly neutral karuta musubi.
I think the whole outfit ended up being really effective, and if I ever get back to the point where I can comfortably wear kimono I’m definitely going to do something like this at some point.
Here is is, guys; my first attempt at a proper ikebana arrangement! After spending the past week and a half poring over the books I’ve received. There’s two still in the mail, but the ones I’ve got already help a ton. There is so much to learn, and I suspect in a year or so I will look back on this one with embarrassment, but for now I’m very proud of myself.
For this first project I wanted to keep things simple, so I stuck with a moribana-style arrangement with three types of plant materials representing the shin, soe, and hikae elements. The pussy-willows were chosen to represent the upcoming spring, but also to remind me of my grandmother Lorraine, whose collections and passions for Japanese art have always inspired me. She had pussy-willows in a glass vase in her apartment at all times. The white spider chrysanthemums felt like an ideal way to represent Japan. The red berries represent the last of winter, and bring a bit of colour and rhythm into an otherwise very quiet arrangement.
This was very soothing for me to make, and I’m very much looking forward to continuing this project as I get more access to flowers and greenery.