It feels like sometimes I get so caught up in my kitsuke experimentation, be it kimono-as-costumes, turning a kimono into a ballgown, steampunk hime-styles, or one of the other multitudes of things I’ve done lately, that I forget about the timeless simplicity that drew me to kimono in the first place. So for this outfit, I decided to go in a very clean and traditional direction that’s all about the little details. I paired up my sagara embroidery tsukesage with an obi I got in the infamous obi bundle and hadn’t used yet. Accessories were plain and classic, a casual obijime that reflects the colour of the kimono and an obiage that adds a little bit of sweetness while still being quiet and discreet. This obi’s motif placement is very strange, and I had to cheat a fair bit while tying it, but isn’t that what mannequins are for? ;)
I doubt I’ll be reaching for this obi again any time soon, which is a shame because the soft embroidered details on it are so pretty. It’s just too much of a nuisance. But I very am glad I decided to drag these two pieces out of storage and do something with them. I’m working on a bunch of new stuff behind the scenes, so this may be the last outfit post for a few weeks. I’m glad it’s one I’m proud to leave on the mannequin.
I am really making an effort not to buy new kimono, but sometimes I find things that just call to me. When I found this komon (for less than ten dollars, I might add) I knew I had to have it. In my mind, it looked just like a slab of malachite. However, when it arrived the general consensus was that it looked like watermelon, especially with the pink lining. I’m still very likely going to do a coordination around the green stone, but I had to go with the melon first.
A sweet pink hakata obi and pink haneri seemed like the way to go, and then I remembered I have this cute black spade obidome that sort of evokes the feel of a watermelon seed against the pink of the obi. It’s a very simple, very casual outfit but I think it really conveys the fresh, summery feeling of biting into a juicy slice of watermelon. Now, if only the warmer weather would hurry up and get here!
(If the title of this entry seems familiar to you, that’s because it is from a very silly (and not exactly work-safe) video by Mr. Weebl)
Kimono, like any other garment out there, is subject to trends and changes in fashion. Usually, this just impacts the colours and patterns used, since the shape of a kimono is so fixed. Every so often, however, someone comes up with something really different and unique. Traditionally, brides in Japan will wear a special type of furisode called a kakeshita on their wedding day. The colours and styles and motifs of these can vary greatly, but they’ve always been the same basic garment. However, modern women are looking for ways to wear more modern dresses but still retaining a bit of that traditional feel. For a while now, there have been designers such as Aliansa who will convert a kimono into a western-style dress, but this requires irreversible changes to the kimono. This isn’t ideal for family heirlooms or treasured gifts. So what’s a bride to do?
Enter The Oriental Wasou, a bridal studio that’s figured out a fantastic way to temporarily convert a furisode simply by folding it carefully and draping it over a western-style ballgown! They claim it takes only ten minutes, and after the event all you’d need to do is give your furisode a good steaming, fold it carefully, and store it away. When I first saw these adaptations, I knew I wanted to give one a try. However, I am not the sort of person who has ballgowns or wedding gowns just lying around, so the idea went onto the back-burner until I was at the thrift store a few weeks ago and found this utterly beautiful mauvey pink gown with a sheer black overlay. I knew right away it would be the perfect complement to my favourite furisode.
This furisode and I have had a colourful history. I bought it years ago while visiting my best friend at the time, even though I knew I’d never have a valid or justifiable reason to wear it. It didn’t matter, I was in love with it. I dressed myself in it a few times for photos, I had a lot of fun with it, and then a few years ago my friend and I parted ways. There was a lot of silly emotional baggage whenever I looked at the kimono, and I stopped doing pretty much anything with it. Fast-forward to middle of last year, and not only have we reconciled, it feels like we’re closer than ever. I knew I had to pair this outfit with the pearl necklace he’d given me for my birthday one year. The other accessories were chosen to help emphasise some of the colours in the kimono. The obiage and obijime perfectly mirror the shading in the peonies, and the obi helps draw out the gold flecks in the background. Since this is such a non-standard outfit, I had fun making up a big flashy obi musubi. It also helped to hide the draping and folding in the back of the kimono.
Overall, I think this experiment was quite successful. It’s definitely a departure from what I’m used to, but everyone needs to step out of their comfortable rut now and again, right?
At last, we’re coming to the end of this month’s theme project. It’s been fun, but honestly I am glad it’s over. I’m getting a little tired of this iromuji! For the last outfit, I decided to try to accomplish the one thing this style of kimono can be very difficult to do; a simple, casual cooordinate. Typically, iromuji can be a lot of things, but relaxed town-wear is not one of them. To make it work, I stuck with otherwise casual pieces. A coloured haneri, a bright meisen haori, and one of my favourite nagoya obi all in shades of purple all pop against the cool mint tone of the kimono itself. The early-afternoon sunlight today helped to keep things soft and warm. I’m not sure this outfit was as successful as some of my other attempts during this experiment, but I do really love how the haori and kimono look together.
Overall, I’m quite pleased with his whole experiment. It’s been really interesting to work within the constraints of the one single kimono. I may do it again sometime later with something other than an iromuji, to make it more of a challenge. I’ve also got some fun craft projects in the works and I can’t wait to share them with you all.
One Kimono Four Ways
One of the great things about iromuji is how they can allow you to really focus attention on something other than the kimono itself. They make a great neutral canvas for a really bright or busy obi. I decided for this week’s entry that I’d do a really high-contrast coordination with a lot of “punch” to it, and this obi was the perfect place to start. It’s a very special obi; I received it anonymously from some lovely person online. I suspect their intent was to have me coordinate it with my Shah Mosque houmongi, but in the end the styles and colours were too different and I could never get them to work together. This kimono, however, is ideal. It’s a similar background colour to the houmongi and the orange-red of the obi really pops against it, but it doesn’t compete with the pattern on the obi itself. It’s a wonderfully neutral foil for the gorgeous obi, and the colours couldn’t work better together if they’d been made to go together. I’d initially thought of using a third bright colour (yellow or pink) for the obiage and obijime but then I remembered these pieces, and everything just clicked.
We’ve also got a special guest photobomber today! Those of you who are longtime readers have probably seen Vinnie before. He usually avoids the mannequin but today he decided he wanted to be the star of the show.
I hope you’re enjoying seeing these posts as much as I’m enjoying doing them! We’ve got one left, and then it’s time to focus on newer things.
One Kimono Four Ways