They followed me home, I swear.
If you’re an avid collector, it can get to the point where kimono and related items really do just start following you home. As I mentioned in this entry, I came home with a bunch of kimono in my suitcase, despite my best efforts. One of them is a gorgeous Tokaido piece I’d actually purchased on eBay and had shipped to my friend Jamie, due to the postal strike, and it will be getting its own entry. Here are the other two.
We were out browsing and shopping in Soho and Jamie started getting amusingly evasive and vague about our next destination. I was so touched when we ended up at Kiteya, a beautiful gem of a shop. The front of the store is filled with wonderful Japanese handicrafts, jewelry, art objects, etc. The back room has two big comfy chairs (which made the rest of our group very happy) and a bunch of kimono (which made me very happy). The service was wonderful, everyone was very friendly and helpful. There were some incredibly gorgeous vintage pieces, but their prices were pretty much gallery-standard, and while they were not unreasonable they’re more than an online bargain-hunter like myself is used to paying, and the only piece I was tempted to justify a big price on (Taisho houmongi with gorgeous peacock design) was just waaaaay too short for me. I was about to give up when I noticed this modern synthetic piece buried under a bunch of other things.
This colour is not only impossible to describe, it was impossible to photograph too. It’s sort of a dusty mauvey brown taupe something I dunno. A pinkish brown, a brownish pink, I’m not sure? But I do know it’s completely adorable. I love pussywillows, they remind me of my grandmother, who always had a bundle in her living room. The ones on here are very adorable too, in soft springy shades of pink and blue. It’s a nice versatile spring kimono, and I look forward to wearing it. I needed more wearable, unlined pieces anyway.
Black tsukesage-komon with diamond fan design

This is kind of a funky oddity – it’s a half lined komon but arranged in very specific stripes, there’s even a seam across the hips to help ensure the pattern falls properly. I actually won this awesome piece in a raffle at the street fair mentioned a few entries back, and it’s not only unique and quirky, but it fits me really well. It’s so awesome. It’s half-lined in bright red, but the top is unlined which will help keep it airy and breathable. I also love how the design from afar just looks like little diamonds, but up close they’re actually fans. It’s so charming.
Blue embroidered irotomesode.
So recently I was informed that there are a couple of sellers on Yahoo Japan who ship internationally, and accept PayPal, rather than necessitating a deputy service. Needless to say, this was a pretty dangerous bit of information. I set to browsing and found a few pieces I was going to make an attempt on.
I stumbled across this beauty and was instantly charmed by the rich blue colour and the incredibly detailed embroidery. It’s fairly rare to find such lush hand-done embroidery on a modern piece, which this most definitely is. I tossed out a relatively extravagant bid and figured I’d lose it anyway, due to the level of work gone into it and the size (a reasonably long 167cm!). I was pretty astounded when the auction ended at 1100 yen (just under $15 USD currently). I wondered if I’d somehow missed a pertinent fact in the auction like a huge stain or a significant tear, but no. I was just incredibly lucky.
I cannot begin to explain how amazing the embroidery is – it’s textured but still smooth, lush, and has a wonderful sheen to it without being tacky.
I love that the red on the crane’s head is done in sagara (french knot) embroidery to give it a different texture than the rest of his feathers.

I also love how derpy and charming the tortoise looks. He’s goofy and adorable.

All in all, it’s a stunning piece with wonderfully auspicious motifs, and I can’t wait to find a suitable coordination and event to wear it.
From one Tokaido lover to another
In which I am yet again treated far too kindly by my friends and family on the Immortal Geisha forums.
BikaBika is an awesome forum member with a great sense of personal style, and she is also an afficionado of the Stations of the Tokaido motif. We’re generally careful not to step on each others’ toes when we see items, which is just another sign of the sense of community the forum has in general.
Several people brought this particular kimono to my attention, but I’ve spent a lot more than I should lately, and I thought it was a bit narrow for my fatty hips. After a fair bit of deliberation I decided to let it go. Fast forward a few weeks and BikaBika has dropped hints that she’s mailed something to me, but I honestly just assumed it was a little accessory or something. Unfortunately, Canada Post went on strike right around this time, so the package fell into a kind of dispatch limbo. While I didn’t outright forget about it, I shunted it into the back of my mind so I wouldn’t stress too much about it potentially getting lost. So I was pretty surprised and confused when the mailman brought me a package I wasn’t really expecting yesterday morning.
Needless to say, when I got it out of the package I was stunned, and very touched. There was a note included that mentioned she’d gotten my address from Suara, who sent me the stunning Tokaido obi a while back, with strict orders to wear them together. I ran downstairs to thank BikaBika and to photograph it. Unfortunately it’s too hot even for yukata right now, so there’s no way I’ll be able to dress in a full formal outfit for a while yet. Thankfully, nothing’s stopping me from sharing photos of the stunning artistry of this piece though.
It’s a soft dove-grey with three distinct stations repeated around the hem. It’s sort of a strange merge of tsukesage, with the stations each being distinct and on a separate panel, and houmongi, since while the designs are discrete from a distance they form a continuous design around the bottom hem. There is also a single blue tsuta (ivy) crest, which helps merge the formality upwards from tsukesage to houmongi.
The front hem has one of the loveliest versions of Station 16, Yui, that I have seen so far. It’s also the only station on the kimono that crosses over multiple panels.

The other two stations are both repeated on the back hem and the sleeve, both in front and back.
And this is the interesting one Bika helped me figure out, it’s a loose artistic interpretation of Station 52, Otsu, but what threw me off is that while most of these pieces are done using the Hoeido edition, this particular variation is from the Kyoka edition, which is much less common.

Yet again, I am flabbergasted at the kindness of others, and in awe of how it always seems to come when I need a pick-me-up.












