Quick & Easy Obijime Tassel Storage Solution

Finding a practical storage solution for obijime is one of the great conundrums of kimono collecting. They get tangled, the tassels get ratty and frayed, and most of the storage options I’ve come across involve wrapping the tassels in paper which gets tedious and wasteful if you use them frequently and have to redo the wrappings every time.

I wanted to find a quicker and more practical way to store them that would also be affordable and easily accessible. After a couple of experiments, I think I’ve found the perfect solution and wanted to share it with you all – bubble tea straws! You can also find them listed as milkshake or smoothie straws, you just want to make sure they’re a wider width than typical drink straws. They’re available on Amazon as well as at nearly any grocery store, they’re very inexpensive, and they’re much more durable than paper.

To begin with, I steamed. combed, and trimmed the tassels on my obijime. For a really great and thorough tutorial on cleaning, steaming, and maintaining obijime tassels, please check out Naomi’s “Project Obijime” blog post. It’s really thorough and clear, and a great place to start.

After all your tassels are tidied up, what you need to do is cut a piece of the straw slightly longer than your tassel and then slit it up one side. Insert the body of the obijime in through the slit and then slide it down to protect the tassel. Then just store however works for you – mine are simply folded in half and then in half again and put into divided boxes by formality and shape. The great thing about using straws like this instead of paper or something else is that you can pull it off and slide it back on as many times as you’d like! No need to take the time to re-wrap them, and no waste.

The only time this feels like a less-than-perfect solution is with very wide and flat obijime, which are more common in vintage collections. Just be careful to make sure that you’ve pulled the straw down completely onto the tassel so it’s not causing the obijime itself to curl because they will stay that way and need steaming again to flatten out.

I hope you found this helpful! It’s such a simple little thing, but personally I think it makes a huge difference when it comes to storage and tidiness!

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DIY Obi Remnant Purse

Eons ago, back when dinosaurs roamed the earth, a bunch of my friends and I went in on a huge obi bundle and separated it amongst ourselves. Mixed in with all the obi was this piece of lovely karabana fabric. It had a few small pleats in one end, and I suspect someone had grand plans to turn it into a pre-tied obi. However. there was just barely enough to make the otaiko and nothing that would have worked for the waist part. So for the longest time, it just sat in my to-do pile, while I pondered and waffled and tried to figure out what I could do with it.

As you can clearly see, I finally found the time and inclination to turn it into a very unique purse. The obi remnant was just about the perfect size to make a roomy satchel with a flap closure. My initial plan was to simply sew the back to the front and make a sort of a thin clutch-style bag. I searched for hardware at a few places here in town but wasn’t finding anything I liked. My next plan was to order parts online, but I figured before I did that I would hit up my favourite local thrift store and see if there were any bags I could cannibalise for parts. I found this absolutely perfect beige suede bag with soft gold trim and hardware that just happened to be an exact match to the soft gold in the obi fabric. The bag was under five dollars, which wouldn’t even have been enough to cover the shipping for buying parts online. It was meant to be!

Instead of just sewing the sides shut, I inserted panels from the exterior of the purse. This not only makes my bag look much more finished, it also makes it nice and roomy inside. There was also a rusty orange lining that matched the orange flowers on the obi fabric, so I carefully picked the inside apart and used the inside pockets to give myself a little extra storage and organisation. I also pulled the snap closure off the thrifted purse and inserted it into the fabric, adding a small filigree metal piece and a fabric flower to reinforce the snap closure a bit. The last touch was gluing on some ribbon trim along the top edge of the purse interior, because the fabric is quite old and I was worried about it fraying from the strain.

I couldn’t be happier with how this purse turned out. It’s a great size, my Surface even fits snugly into it for travel. My only concern is that since the obi fabric is quite old, I’m worried about snagging or staining it. If it weren’t for that, I’d be using this bag every day, I think.

Affordable and Accessible Display Rack

Yesterday evening, yours truly managed to get her finger caught in the exterior door while it was closing. Thankfully nothing is broken, and it was my most useless finger (left hand, pinky) but it’s taped up and quite painful at the moment so unfortunately the Princess Project will be on a short hiatus until likely sometime next week. Thanks for understanding!

Since I can’t dress the mannequin, I figured it would be a good time to share something a little simpler, how I display and photograph my collection. Naomi recently asked me what the rig I used to display my kimono was, so here’s a simple breakdown of what all went into it for those of us who may not have the funds or access to a traditional ikou.

I started with the Honey Can Do expandable garment rack. It has a maximum adjustable width of 60″, and the interior measurement not including the extendable rods was nowhere near wide enough to put a kimono on, so rather than using the included cross-bars, I picked up some 1 1/4″ diameter solid (not extendable) closet rods and cut them to 60″ length. You can do this using a hacksaw but it will take hours, so I recommend a power tool. Ask someone for help if you need to, this isn’t the easiest thing in the world. I also picked up a couple of narrow black tension rods to stabilise the base. I can’t find similar ones online, and these aren’t entirely necessary, they just help the unit look a little more balanced and keep the feet from rotating.

The last step was to make a pair of decorative clips to hold the kimono open during display/photography. I used a pair of inexpensive alligator clips and glued some cute rose cabochons to them to make them a little nicer to look at. You can really be creative here. Fans are a very traditional motif for these clips, but go wild and use anything you like! Once you’re happy with your clips, use some sturdy elastic or nylon thread to attach them to the uprights of the rack. Don’t tie them on too tightly so you can slide them up or down as needed. The top half of the rack can be slid down for storage, and if you make the clips too snug they can get in the way.

To take the photos I’m using in my new visual catalogue, I start by setting up my tripod. I actually use the exact same spot in the house as I use to take the mannequin photos. My backdrop is simply a plain white flat sheet with the top hem carefully sliced open at the ends so I can thread it onto the curtain rod. From there, I just put the rack in place, take my photos, and pack it all up until I need it again.

I hope you found this post helpful if you’re looking for an affordable and accessible solution for display or catalogue purposes! If you make a similar stand, I’d love to see it 🙂

This post contains affiliate link(s). If you choose to purchase, I receive a small rebate or commission which goes to the continued maintenance of this site.

Art Gallery – Fuji Musume Doll (and repairs)

You may have seen the little souvenir doll I fixed up recently, and maybe even the ceramic hakata-style dancer I refinished, but this pretty Fuji Musume has been waiting for her moment in the spotlight since February of 2016! She had a very brief cameo on my Instagram account but has been in hiding ever since, unless you’ve been in my bedroom.

I found her in an antique shop near my house before I found the other two dolls. The owner tried to tell me she was in “perfect condition”, but once I took her out and had a good look at her I could see that absolutely was not the case. The delicate painting on her face was faded and chipped, her wisteria branch was sun-damaged and brittle, the structure under her hair was almost bleached, and there was a not insignificant crack in the bisque on the back of her neck. I managed to talk him down to a more than reasonable price for her and her glass case. I knew I wanted to restore her beauty, but I had no idea where to start, aside from the obvious things like getting her a new wisteria branch. While that was in the works, I focused on the other dolls and the things I learnt doing those two helped prepare me for more on her.

Jess from Tiaras ‘n Teakettles came to the rescue for the wisteria! I sent her photos and measurements of the original branch and she crafted this beautiful tsumami branch by hand. It’s got a lovely weight to it, the dangles flow gracefully, and it fits perfectly between her hands. I didn’t even have to glue it, it balances so well.

Once that was sorted I knew it was time to tackle the more serious issues. Her lips were lacquered in an almost glassy red that had cracked and split and faded over time. I ended up having to use Tamiya paint thinner to strip the original off properly, and then used watercolours to repaint her lips and add a tiny hint of red to her eyes. I feel like it helps breathe new life into her facial features.

Next up was the most challenging bit; repairing the cracked bisque on the back of her neck. Thankfully it was just a surface defect, not a structural one, and with the way she stands in her display case it’s virtually unnoticeable, but I knew it was there and I wanted to fix it. I tried a few different things before stumbling upon crafting chalk paint. It’s easy to find in any large craft store such as Michaels. I bought a bottle of white and mixed in the tiniest amounts of peach and brown to make it warmer and less stark. I worked in incredibly thin coats, brushing it over the crack and wiping away the excess each time, essentially filling the crack in with the chalk paint and blending the edges out with a wet brush. If you’re right next to her or looking through a camera lens you can see it faintly, but it’s nearly gone.

Finally I used a black marker to fill in the bald spots on the sides of her hairstyle, repositioned her obiage and gave her a new obijime. I felt that the original one she came with was too big in scale and to starkly white, but I found this thinner gold cord that works perfectly.

I am so glad I waited to work on her, because I know I’ve done the best job possible instead of eagerly rushing through things as I am sometimes wont to do. I love her to bits, and she occupies place of pride on a table next to my sofa now.

Also, you may be thinking to yourself “Isn’t this primarily a kimono blog? Why aren’t you posting any actual kimono lately?” and I would like to address that briefly. I’ve been feeling under the weather, and combined with the heat and humidity this summer, I have no energy to even wrestle with the mannequin. However, I do have a big project in the works, and hopefully it will make up for the sparsity and somewhat disjointed nature of the posts lately! I just need the weather to calm down a little, and the last of the pieces I’ve ordered to arrive in the mail.

Tiny Doll, Tiny Makeover

Hello! Just a quick post today. A few weeks ago, I found this charming little doll at one of the thrift stores near me. I posted a photo of her (along with the rest of my haul) on my Instagram but now that she’s had a bit of a face-lift I felt like she needed her own post.

She’s nothing fancy – maybe 4″ tall and made primarily of plastic. I assume she was a cheap souvenir or something. But I was really charmed by her, and wanted to give her a new lease of life. I was inspired by my friend Naomi, who has been rescuing dolls from thrift stores for ages now, and my friend Vi who runs The Heirloom Smith, a small custom design and restoration business.

The biggest and most obvious problem was her head; her hair was a wreck and there was a flat circle of paper glued to the crown of her head, where a hat had likely fallen off. Thankfully, she had two other hats – one in each hand! I carefully pried the hats off and put them aside, and moistened her hair so I could brush it and try to tame it down somewhat. I then soaked her hands carefully in warm water to dissolve the leftover glue and paper. However, without her hats her pose definitely looked a bit funny, and the fact that her hands, feet, and face were made of cheap yellowed plastic was very apparent. I re-posed her slightly (thankfully, her body is a wire frame so she’s relatively flexible), covered over her yellowed bits with white chalk paint, gave her a cute little umbrella to dance with, and glued one of the salvaged hats onto her head. The last step was to give her slightly more subdued facial features with watercolours over the newly-painted surface of her face. She looks very at home in the cabinet with the ceramic doll I repainted a while back. I’m so happy Ito have given both these girls a new home. Their big sister is also in the works, I hope to be posting about her sometime soon.

I didn’t take too many photos during the process, and the ones I did take were done at my desk with my phone so they’re not fantastic, but it’s still nice to see how she progressed to the final result up at the top of the page.