Book Review – When Art Became Fashion: Kosode in Edo-Period Japan
When Art Became Fashion: Kosode in Edo-Period Japan
by Dale Carolyn Gluckman & Sharon Sadako Takeda
Language: English
ISBN-10: 083480266X
Amazon.com listing
(nb: This volume may be found on eBay for significantly lower price)
I found this book while browsing the “ending soon” section on eBay. I’d never heard of it before, and wasn’t sure if it would be worth the $25 it was being sold for, so I looked it up quickly on Amazon. There was a glowing review by KimonoMomo, whose opinion I greatly respect when it comes to Japanese textiles, and the least expensive used copy available was priced at roughly $65. Based on those factors, I figured it would definitely be worth the investment. Unfortunately, I did not think to ask the seller – shopenjapan – about shipping costs from LA to Montreal, and had a bit of a case of sticker-shock when they sent me the invoice. They did everything in their power to get me the lowest price, were very patient while I tried to find an alternate shipping solution, and when the final shipping to me cost less than anticipated they refunded me the difference. In the end it was still less expensive than buying a used copy on Amazon, and the service was great. I’ll definitely buy from them again if they list similar books!
So, was it worth it? Absolutely! It is actually an illustrated museum catalogue for an exhibit of the same name, much like Kazari: Decoration and Display in Japan 15th-19th Centuries, which I reviewed earlier. It is divided into essays about many topics, from the evolution of the kosode to calligraphy as a motif to the cultural and social impact and relevance of red “beni” dye. Each essay is complemented by many lush full colour photographs and multiple page spreads, as well as smaller inserted black and white and detail shots. When I first got it, I spent several nights simply ogling the photos.
The essays themselves are written in a fairly dry academic style, but they are not difficult to read or alienating to people unfamiliar with the terminology. Any Japanese terms are italicized and explained in clear plain English the first time they make an appearance. There is a very useful glossary of terms in the background that is a huge asset to anyone interested in kimono either as wearable clothing or as historical costume, as well as many fascinating and well-organized charts and graphs documenting the flow of Japanese historical eras, common kosode pattern layouts, and garment dimensions. It is not something I’d suggest for light bedtime reading, but it makes an excellent addition to any kimono-specific or Japanese cultural reference library. Several of the kimono in the book are also in the Kyoto Shoin, Yuzen edition book, but I found this to be a good thing – it was very interesting to see that some of these garments are so historically famous and relevant that they appear in multiple texts.
The layout of the book is also very lovely, the text is clear and the images are crisp and beautiful, with vivid colours and plenty of detail shots. Captions are always large enough to be legible but small enough not to be obtrusive. There are also some very charming touches, such as the text on the first page of each section being in the shape of a kimono. This may not seem like such a big thing, but it really adds to the cohesive feel of the whole book, and as someone who studied document layout in college it really tickled me.
I would recommend this book for:
-People interested in the history of Japanese textiles.
-People studying historical fashion or evolution of fashion and trends.
-People interested in Edo-era Japan.
-People looking for beautiful photos of kimono.
I would not recommend this book for:
-People looking for how-to-wear guides.
-People looking for coordination ideas.
From the Archives – Hydrangea ro komon
Unfortunately, life’s been both hectic and humid here lately and I haven’t had many opportunities to wear kimono. Hopefully the pictures of new items and book reviews and whatnot have been interesting to you guys. I am really enjoying the book reviews and I’m really hoping to do more in the future. However, this is afterall a kimono blog and it’s about time I posted some more pictures of outfits!
These pictures are actually quite old, from when I first got the outfit, nearly two years ago. However, they are of my first (and only!) ro summer weave outfit, so I figured they might be worthwhile to share at this time of year! I was saving them because I had planned to wear this outfit again to an art exhibit I attended recently (I will be posting an entry about that soon, don’t worry!) but unfortunately the weather wasn’t cooperating, nor was the knee I injured a few days beforehand. I ended up wearing a haori with jeans and a nice top. Boo.
The kimono itself is a deep navy, with bright white and pink hydrangeas printed all over. The obi is cream and hakata weave. When I bought it, I thought it was white, but the cream is a nice contrast against the navy. The accessories are a soft pale pink, to tie in with the hydrangea. I have also since bought a pair of pink lace tabi to wear with this outfit, but have no photos yet.
Please forgive the excessive amount of bosoms going on in this outfit – at the time I was using a bright lime-green rubber datejime to flatten my bust, and there was no way of hiding it under the kimono, since it’s semi-transparent. I had to do without, and this is what the girls look like when not sufficiently strapped down.
Hey, hey, wait a minute, Mister Postman!
Sometimes, I suspect the mail carriers in this area really dislike me. I’m constantly getting big packages. Today, I really surpassed myself with three separate deliveries! One, a book called When Art Became Fashion: Kosode in Edo-Period Japan, arrived in the regular post and I will be writing a review of it when I have time to read it properly. First impressions are very positive though.
The other packages were larger, and more unwieldy, and the mail carrier was kind enough to leave them with my neighbours since I was at the cardiologist. Getting home was like having an unexpected birthday, or Christmas come early! So much pretty stuff! Since there are so many things included here, I have used smaller-than-usual photographs. Please click on them to view big versions, they will open in a new window.
Black zori with red chirimen accents

One of the few things I actually truly needed was another pair of casual, comfortable zori. Nearly all the footwear I owned prior to this was very dressy, all in shiny metallic vinyl or silk brocade. These fit nicely and I absolutely love the colour combo and the little chirimen silk insert in the stacked heel. They were a total bargain at $10!
Grey purse with kiku and black trim

This purse, and the one below it, were being sold by one of the sellers I regularly buy kimono from. They’re modern, and made of heavy denim-like cotton, but the designs are definitely kimono-inspired. This one in particular I can definitely see using every day. I love the contrast of the soft, girly fabric and the hard leatherette and metal details.
Red purse with ume and cream trim

This purse was bought at the same time as the previous one. It’s much bigger than I anticipated (I suspect the measurements listed were off), but definitely no complaints there! It’s fun and bright and while I don’t anticipate using it every day, it will definitely be a way to add a splash of colour and personality to a quiet outfit, either kimono or western clothing.
Now comes the find of the month, a bundle of five vintage obi for a total of twelve dollars (plus S&H). They were listed as “scrap fabric,” but as you’ll see four of them are completely wearable as-is, and the fifth one I am going to attempt to salvage and turn into a two-part easy obi.
Vintage cream nagoya obi with fans, thread spindles, and flowers

This is the main reason I bid on the bundle in the first place. I am just head over heels in love with this obi. The colours and style of yuzen make me suspect it’s late Taisho or early Showa, and even if it’s not it still evokes the feel nicely. I plan to wear it with my indigo Taisho houmongi sometime soon.
Mustard obi with flowers

I openly admit I am not very fond of the base colour of this obi, it’s a sort of a strange gold/mustard, but the woven flowers are very pretty and versatile, so I’m sure I will find a good use for it.
Cream obi with orange and silver waves

I’ve wanted something with a smooth wave motif for a while now, and this more than satisfies my urge. It’s vibrant and graphic and I like it very much.
White obi with red and gold flowers

The auction photos really didn’t do this one justice. It looked like a cute but relatively boring obi with some gold weaving and round dots. In person, both the gold and the red have such a rich silky shimmer to them that they look like rubies set in gold filigree.
Blue obi with herons

This was dubbed the Narwhal Bird Obi by my friend Kansai_Gal and I can totally see why XD. Unfortunately, it’s also the obi that is severely damaged – the silk is shredded to ribbons right above the folded area where the main heron is. Hopefully, I will be able to carefully cut it and sew it into a two-part obi. I will record my attempts and write an entry about that sometime in the near future. If worse comes to worst, I will simply turn it into haneri and possibly an obiage. The fabric will get used, one way or another.












